Raven Stole the Moon »

Garth Stein, a former documentary film maker, was co-producer of the Academy Award-winning short film, The Lunch Date, and director of When Your Head's Not a Head, It's a Nut. He is the author of three novels, How Evan Broke His Head and Other Secrets, Raven Stole the Moon, and The Art of Racing in the Rain , and a play, Brother Jones. He lives in Seattle with his family.

From the author of the acclaimed New York Times bestseller The Art of Racing in the Rain comes an extraordinary tale of grief, devotion, redemption, and timeless mystery.

When Jenna Rosen abandons her comfortable Seattle life to visit Wrangell, Alaska, it's a wrenching return to her past. The hometown of her Native American grandmother, Wrangell is located near the Thunder Bay Resort, where Jenna's young son, Bobby, disappeared two years before. His body was never recovered, and Jenna is determined to lay to rest the aching mystery of his death. But whispers of ancient legends begin to suggest a frightening new possibility about Bobby's fate, and Jenna must sift through the beliefs of her ancestors, the Tlingit, who still tell of powerful, menacing forces at work in the Alaskan wilderness. Armed with nothing but a mother's protective instincts, Jenna's quest for the truth behind her son's disappearance is about to pull her into a terrifying and life-changing abyss.

Publishers Weekly

In this unpredictable and absorbing debut, Stein intriguingly blurs the line between legend and conventional reality. Two years ago in a remote Alaskan village, Jenna Rosen's five-year-old son, Bobby, fell out of a boat and drowned, and Jenna was unable to save him. Unable to come to terms with her grief, Jenna leaves her husband in Seattle and returns to the site of the tragedy. Once there, she encounters an assortment of sinisterly quirky characters and learns much about the Indian part of her heritage. She soon comes to a startling conclusion: either she's losing her mind, or her son's soul has been abducted by the kushtakaTlingit spirits that are half man, half otterand can be rescued only by a shaman. As Jenna seeks both to lay her son's soul to rest and to quiet her own guilt and grief, Stein weaves a moving tale that ably charts the gaps between rationalistic and animistic worldviews. Certain elements of the Tlingit legends may remind readers of Dracula lore: human blood breaks kushtaka spells; domestic dogs are their enemies. Occasional shifts to present-tense narration are jarring intrusions, but, for most of the novel, Stein's restrained prose is a good vehicle for Jenna's examination of the nature of religious faith and belief. (Mar.) FYI: Stein, a documentary filmmaker, is the great-grandson of a Tlingit Indian.