Promises to Keep »

Part of the "British invasion" of the brand of women's fiction affectionately known as "chick lit," Jane Green's cheeky heroines join the sisterhood whose members include Bridget Jones and Sophie Kinsella's "Shopaholic."

From the New York Times bestselling author-a momentous new novel about a family suddenly thrown together

Callie Perry is a successful family photographer living in upstate New York. She adores her two daughters, has great friends, and actually doesn't mind that her workaholic husband gets home at 9 p.m. every night-that is, when he's not traveling six months out of the year.

Callie's younger sister, Steff, on the other hand, has never grown up. She's a free spirit, living in downtown Manhattan and bouncing between jobs and boyfriends. Lately, she's been working as a vegan chef, even though she can't cook.

Lila Grossman is Callie's best friend and has finally met the man of her dreams. Eddie has two wonderful children, but also a drama queen ex-wife who hates Lila. And then there are Callie and Steff's parents, Walter Cutler and Honor Pitman. Divorced for thirty years, they rarely speak to each other.

The lives of these colorful characters intersect when they each receive a shocking note that summons them together for one extraordinary summer in Maine and changes their lives forever. This novel is about the hard choices we have to face, about having to be your parents' child long after you've grown up, and about the enduring nature of love.

Publishers Weekly

In Green’s 12th novel, Callie Perry is a happily married photographer with two wonderful kids, a lovable sister, Steffi, and a best friend, Lila. Problems are minor: Steffi can never settle down, Lila has finally found love but the guy has a nightmare of an ex, and Callie and Steffi’s divorced parents haven’t spoken in 30 years. But then Callie, a breast cancer survivor, is diagnosed with a rare and incurable complication of the disease. Suddenly realizing that she has only months to live, she begins the painful process of saying good-bye. While the subject matter is intense and personal, it’s far from depressing; the characters are warm, funny and realistic. Green (The Beach House) manages to create an authentic tale of a woman who truly loves her life and family and is trying to do the right thing for them before she dies. While Green breaks up her chapters with recipes (presumably because Steffi is a cook), this peculiar modern conceit in women’s literature feels like a misstep. Overall, Green once again delivers an enjoyable emotional story. (June)