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Pretty Things: The Last Generation of American Burlesque Queens »

Book cover image of Pretty Things: The Last Generation of American Burlesque Queens by Liz Goldwyn

Authors: Liz Goldwyn
ISBN-13: 9780062011817, ISBN-10: 0062011812
Format: Paperback
Publisher: HarperCollins Publishers
Date Published: December 21, 2010
Edition: (Non-applicable)

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Author Biography: Liz Goldwyn

Liz Goldwyn has worked in fashion, art, and photography since the age of sixteen. She has produced major fashion shows and art installations, helped establish the fashion department at Sotheby’s New York, and was a global consultant for Shiseido America. She writes feature articles for national magazines, and designs her own collection of jewelry. Her documentary film on burlesque queens, Pretty Things, premiered in July 2005 on HBO. Goldwyn lives in Los Angeles.

Book Synopsis

Liz Goldwyn's lifelong fascination with the inimitable glamour of classic burlesque inspired her to spend the past eight years corresponding with, visiting, interviewing, receiving striptease lessons from, and forming close relationships with the last generation of the great American burlesque queeens. Goldwyn invites us to step back into an era when the hourglass figure was in vogue and striptease was a true art form.

Meet Betty "Ball of Fire" Rowland, who was known for her flaming red hair and bump–and–grind routines. (It turns out she once sued the author's grandfather, Samuel Goldwyn Jr., for using her stage name and costume in his Hollywood picture, Ball of Fire.)

Meet Sherry Britton, who, with her long black hair and curvy, trim physique, was among the most stunning of the burlesque stars before Mayor LaGuardia outlawed burlesque in New York.

Meet Zorita, whose sexually explicit "Consummation of the Wedding of the Snake" dance (performed with a live snake) and other daring performances earned her legendary status.

Goldwyn draws back the curtain to reveal the personal journeys of yesteryear's icons of female sexuality and power, restoring their legacy to an age that has all but forgotten them–despite today's resurgence of burlesque.

Tatler

“[Pretty Things] celebrates the performers once dismissed as second-class citizens.”

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