Authors: Billy Collins (Introduction), Billy Collins (Editor), Barbara M. Bachman
ISBN-13: 9780812968873, ISBN-10: 0812968875
Format: Paperback
Publisher: Random House Publishing Group
Date Published: March 2003
Edition: (Non-applicable)
Enjoying a popularity unheard of for most poets, Billy Collins has had a remarkable late-life surge, aided by NPR exposure and his 2001 and 2002 appointments as the U.S. poet laureate. His style is engaging, conversational, funny, and surprising.
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins.
Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure.
A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance.
With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.
Perhaps the focus and quality of Poetry 180 is best summed up in poet laureate Billy Collins' only poem in this anthology. In reference to poetry as taught in high school, he concludes, "I want them to waterski / across the surface of a poem / waving at the author's name on the shore. / But all they want to do / is tie the poem to a chair with rope / and torture a confession out of it. / They begin beating it with a hose / to find out what it means." In fact, Poetry 180 consciously avoids those pieces that "had become a standard offering in textbooks and anthologies." Instead, Collins states, "The idea behind this ... collection ... was to assemble a generous selection of short, clear, contemporary poems which any listener could basically 'get' on first hearing poems whose injection of pleasure is immediate." It is intended "to expose high school students to the new voices in contemporary poetry." Yet the appeal is simultaneous to teenagers and those well beyond high school. The authors are top notch, the scope of the work is universal, and the approaches are varied: humorous, sad, reflective, giddy, always honest and perceptive. Where was this book when I was struggling to teach Creative Writing: Contemporary Poetry to juniors and seniors in high school? Any such course today has to consider Poetry 180 as a textbook and every library needs a copy on its shelves. It is, in Collins' words, "a big bouquet of poems that I happen to like." I'm betting you will too. KLIATT Codes: SA* Exceptional book, recommended for senior high school students, advanced students, and adults. 2003, Random House, 323p. index.,
Introduction | ||
1 | Introduction to Poetry | 3 |
2 | Selecting a Reader | 4 |
3 | Not Bad, Dad, Not Bad | 5 |
4 | Singing Back the World | 6 |
5 | The Pink Car | 8 |
6 | Acting | 10 |
7 | The Cord | 12 |
8 | Ode: The Capris | 14 |
9 | Bringing My Son to the Police Station to Be Fingerprinted | 17 |
10 | On the Death of a Colleague | 19 |
11 | The Space Heater | 21 |
12 | Numbers | 23 |
13 | Lines | 25 |
14 | Listen | 26 |
15 | Unholy Sonnets | 27 |
16 | Poem for Salt | 28 |
17 | The Hand | 29 |
18 | Where I Was | 30 |
19 | hoop snake | 32 |
20 | Bestiary for the Fingers of My Right Hand | 34 |
21 | The Summer I Was Sixteen | 36 |
22 | Did I Miss Anything? | 37 |
23 | Song of Smoke | 39 |
24 | Autobiographia | 41 |
25 | White Towels | 42 |
26 | To You | 43 |
27 | It's Raining in Love | 44 |
28 | Moderation Kills (Excusez-Moi, Je Suis Sick as a Dog) | 46 |
29 | Mrs. Midas | 49 |
30 | The Oldest Living Thing in L.A. | 53 |
31 | Little Father | 54 |
32 | Alzheimer's | 55 |
33 | The Book of Hand Shadows | 56 |
34 | Sidekicks | 57 |
35 | A Poetry Reading at West Point | 58 |
36 | Only One of My Deaths | 60 |
37 | I'm A Fool to Love You | 61 |
38 | Love Poem 1990 | 63 |
39 | Passer-by, these are words... | 65 |
40 | Wheels | 66 |
41 | Rain | 68 |
42 | A Myopic Child | 69 |
43 | At the Other End of the Telescope | 70 |
44 | praise song | 73 |
45 | The Man into Whose Yard You Should Not Hit Your Ball | 74 |
46 | The Farewell | 76 |
47 | The Partial Explanation | 77 |
48 | Poem for Adlai Stevenson and Yellow Jackets | 78 |
49 | The Late Passenger | 80 |
50 | On a 3 1/2 Oz. Lesser Yellowlegs, Departed Boston August 28, Shot Martinique September 3 | 83 |
51 | Tour | 84 |
52 | After Us | 85 |
53 | Poetry | 87 |
54 | The Fathers | 88 |
55 | The High School Band | 89 |
56 | The Bell | 90 |
57 | Dearborn North Apartments Chicago, Illinois | 91 |
58 | Gouge, Adze, Rasp, Hammer | 92 |
59 | The Bruise of This | 94 |
60 | 1-800-HOT-RIBS | 95 |
61 | The Printer's Error | 97 |
62 | Cartoon Physics, part 1 | 101 |
63 | Advice from the Experts | 103 |
64 | She Didn't Mean to Do It | 104 |
65 | Snow | 105 |
66 | Six One-Line Film-Scripts | 107 |
67 | I Finally Managed to Speak to Her | 108 |
68 | Before She Died | 109 |
69 | In the Well | 110 |
70 | The Sonogram | 111 |
71 | Love Like Salt | 112 |
72 | Through the Window of the All-Night Restaurant | 113 |
73 | The Assassination of John Lennon as Depicted by the Madame Tussaud Wax Museum, Niagara Falls, Ontario, 1987 | 115 |
74 | Barbie's Ferrari | 116 |
75 | A Romance for the Wild Turkey | 118 |
76 | Ye White Antarctic Birds | 119 |
77 | St. Francis and the Sow | 120 |
78 | Killing the Animals | 121 |
79 | The Old Liberators | 122 |
80 | Sentimental Moment or Why Did the Baguette Cross the Road? | 123 |
81 | Grammar | 124 |
82 | Plague Victims Catapulted over Walls into Besieged City | 125 |
83 | In Tornado Weather | 126 |
84 | The Portuguese in Mergui | 127 |
85 | No Return | 129 |
86 | The Panic Bird | 130 |
87 | A Hunger | 132 |
88 | Otherwise | 133 |
89 | Happy Marriage | 134 |
90 | At Navajo Monument Valley Tribal School | 136 |
91 | Hamlet Off-Stage: Laertes Cool | 138 |
92 | Lesson | 139 |
93 | Football | 140 |
94 | Fat Is Not a Fairy Tale | 141 |
95 | Sister Cat | 142 |
96 | The Bagel | 143 |
97 | On Swimming | 144 |
98 | Song Beside a Sippy Cup | 145 |
99 | Watching the Mayan Women | 146 |
100 | Queen Herod | 148 |
101 | Video Blues | 152 |
102 | Smoking | 153 |
103 | Old Men Playing Basketball | 154 |
104 | Gratitude to Old Teachers | 156 |
105 | June 11 | 157 |
106 | Vegetarian Physics | 158 |
107 | My Life | 159 |
108 | Nuclear Winter | 161 |
109 | Message: Bottle #32 | 162 |
110 | Waves | 163 |
111 | no. 6 | 164 |
112 | Tuesday Morning, Loading Pigs | 166 |
113 | For Mohammed Zeid, Age 15 | 168 |
114 | Small Comfort | 170 |
115 | Skin | 171 |
116 | Telephone Repairman | 173 |
117 | What I Would Do | 175 |
118 | The Meadow | 177 |
119 | Rotary | 178 |
120 | Sax's and Selves | 181 |
121 | Black Leather Because Bumblebees Look Like It | 183 |
122 | Beyond Recall | 185 |
123 | Alley Cat Love Song | 187 |
124 | Goodbye to the Old Life | 188 |
125 | For "Fiddle-De-De" | 191 |
126 | Country Fair | 194 |
127 | Part of Eve's Discussion | 195 |
128 | Birth Day | 196 |
129 | On Not Flying to Hawaii | 197 |
130 | The Poem of Chalk | 199 |
131 | My Father's Hats | 202 |
132 | Of Politics & Art | 203 |
133 | Loud Music | 205 |
134 | Elevator Music | 207 |
135 | A Wreath to the Fish | 208 |
136 | ballplayer | 210 |
137 | The Green One over There | 212 |
138 | May | 215 |
139 | The Quest | 217 |
140 | In Simili Materia | 219 |
141 | Words for Worry | 220 |
142 | In Praise of BIC Pens | 221 |
143 | The Other World | 223 |
144 | The Grammar Lesson | 225 |
145 | Fast Break | 226 |
146 | The Invention of Heaven | 228 |
147 | Saturday at the Canal | 229 |
148 | Doing Without | 230 |
149 | The Death of Santa Claus | 231 |
150 | Ladies and Gentlemen in Outer Space | 233 |
151 | Thanksgiving | 234 |
152 | Dog's Death | 235 |
153 | Hound Song | 236 |
154 | A Metaphor Crosses the Road | 237 |
155 | The Swan at Edgewater Park | 238 |
156 | The Blizzard | 239 |
157 | Where is She? | 241 |
158 | Coffee in the Afternoon | 242 |
159 | One Morning | 243 |
160 | Animals | 244 |
161 | God Says Yes to Me | 245 |
162 | The Perfect Heart | 246 |
163 | The Birthday | 247 |
164 | Not Swans | 248 |
165 | I Wish in the City of Your Heart | 249 |
166 | The Accompanist | 252 |
167 | The Wolf of Gubbio | 252 |
168 | 49[superscript th] Birthday Trip (What Are You On?) | 254 |
169 | How Many Times | 255 |
170 | The History of Poetry | 256 |
171 | The Dead | 258 |
172 | Social Security | 259 |
173 | The Student Theme | 261 |
174 | Smell and Envy | 262 |
175 | The Yawn | 263 |
176 | Blue Willow | 263 |
177 | Tuesday 9:00 AM | 265 |
178 | Ordinance on Arrival | 267 |
179 | 96 Vandam | 268 |
180 | What He Thought | 269 |
Notes on the Contributors | 273 | |
Index of Contributors | 305 | |
Index of Titles | 309 | |
Permission Credits | 313 |