Picture Perfect: Life in the Age of the Photo Op (New Edition) » (New)

Kiku Adatto is a Scholar in Residence at Harvard University's Humanities Center. Her writings on culture, politics, and the media have appeared in many publications, including the "New York Times" and the "New Republic".

"Picture Perfect is perfect. The thoroughness and patience and precision of the research dumbfound me! Kiku Adatto has again provided us with a valuable tool for the continuing assessment of our media."--Walter Cronkite

"Tired of being manipulated by politicians and image consultants? Then read Kiku Adatto's brilliant, revealing book. Picture Perfect is pure consumer protection for good citizens."--Larry J. Sabato, author of A More Perfect Constitution

"Images are more important to our lives, both private and public, than ever before. Kiku Adatto's narrative, rich with evocative details, helps us understand how this has happened, and what it means for our future."--Robert D. Putnam, author of Bowling Alone

"Kiku Adatto's Picture Perfect is a book every journalist must read if we are to begin to truly understand ourselves and our world--and if we are to avoid the deadly mistake of Othello, who uncritically believed what he saw."--Bill Kovach, Project for Excellence in Journalism

"With rare insight and acuity, Kiku Adatto dispels the mystifications of a media age in which vital information is obscured by the opportunism of the photo op, and reality is too often the victim of the manipulations of Photoshop. This is an empowering book."--Homi K. Bhabha, author of The Location of Culture

"Picture Perfect is our most elegant, comprehensive, and current study of media and politics. Masterfully weaving together accounts of photographs, movies, television news, and the Internet, Adatto has written a profound reflection on the meaning of images in our public and private lives."--Jeffrey Abramson, author of We, the Jury

Publishers Weekly

In this engrossing analysis of modern imagery, Adatto chronicles the rise of America's "photo-op culture" and the explosion of social networking sites, image-conscious photography and the guerrilla war between gaffe-seeking journalists and self-aware politicians. Average citizens are bombarded with so many sleek and produced images a day, they've lost track of authenticity, according to Adatto. Paying particular attention to the photo op's political influence, she compares coverage of the 1968 campaign between Nixon, Humphrey and Wallace with the showdown between Dukakis and Bush in 1988, demonstrating how, in a mere 20 years, photo-ops and sound bites had transformed news. Adatto doesn't delve as heavily into contemporary elections; however, she scrutinizes some of the most well-known images from the invasion of Iraq (George W. Bush posing under the "Mission Accomplished" banner; the photos of prisoner abuse from Abu Ghraib), and her solid grasp and interpretation of pertinent pop culture from Bogart to Warhol to the films Network and The Truman Show amply compensate for the lapse. This book is an admirable analysis of the role of the image in modern culture and an eloquent defense of why words still matter. (June)

Introduction The Age of the Photo Op 1

Ch. 1 Picture Perfect 41

Ch. 2 Photo-Op Politics 67

Ch. 3 Contesting Control of the Picture 106

Ch. 4 Exposed Images 141

Ch. 5 Mythic Pictures and Movie Heroes 187

Ch. 6 The Person and the Pose 243

Notes 263

Index 279