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Off the Wall: A Portrait of Robert Rauschenberg » (Revised and Updated)

Book cover image of Off the Wall: A Portrait of Robert Rauschenberg by Calvin Tomkins

Authors: Calvin Tomkins
ISBN-13: 9780312425852, ISBN-10: 0312425856
Format: Paperback
Publisher: Picador
Date Published: November 2005
Edition: Revised and Updated

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Author Biography: Calvin Tomkins

Calvin Tomkins, a staff writer for The New Yorker since 1960, has written more than a dozen books, including the bestseller Living Well Is the Best Revenge, Merchants and Masterpieces: The Story of the Metropolitan Museum of Art, The Bride and the Bachelors, and his highly acclaimed biography Duchamp. He lives in New York city with his wife Dodie Kazanjian.

Book Synopsis

Calvin Tomkins first discovered the work of Robert Rauschenberg in the late 1950s, when he began to look seriously at contemporary art. While gazing at Rauschenberg's painting Double Feature, Tomkins felt compelled to make some kind of literal connection to the work, and it is in that sprit that "for the last forty years it's been [his] ambition to write about contemporary art not as a critic or a judge, but as a participant." Tomkins has spent many of those years writing about Robert Rauschenberg, whom he rapidly came to see as "one of the most inventive and influential artists of his generation." So it seemed natural to make Rauschenberg the focus of Off the Wall, which deals with the radical changes that have made advanced visual art such a powerful force in the world.

Off the Wall chronicles the astonishingly creative period of the 1950s and 1960s, a high point in American art. In his in his collaborations with Merce Cunningham and John Cage, and as a pivotal figure linking abstract expressionism and pop art, Rauschenberg was part of a revolution during which artists moved art off the walls of museums and galleries and into the center of the social scene. Rauschenberg's vitally important and productive career spans this revolution, reaching beyond it to the present day. Featuring the artists and the art world surrounding Rauschenberg—from Jackson Pollock, and Willem de Kooning to Jasper Johns, Frank Stella, and Andy Warhol, together with dealers Betty Parsons, and Leo Castelli, and the patron Peggy Guggenheim—Tomkins's stylish and witty portrait of one of America's most original and inspiring artists is fascinating, enlightening, and very entertaining.

Table of Contents

Preface to the New Editionxiii
1Venice, 19641
2Port Arthur12
3Mostly Messes19
4Black Mountain24
5Tragedy, Ecstasy, Doom, and So On32
6White Numbers46
7A Place Where Art Goes On52
8John Cage59
9Feticci Personali69
10Enfant Terrible75
11Dancers89
12Jasper Johns99
13Why Not Sneeze?110
14Moving Out120
15Towards Theater134
16Into the Sixties148
17Hot and Cold Heroes157
18The Construction of Boston170
19Recognition181
20The Sistine on Broadway192
21Incidents of Travel in Europe and Asia201
22Nine Evenings214
23The Not So Great Society228
24"There is no solution because there is no problem"247
25End of an Era254
26Captiva265
27Everything in Sight (Rauschenberg Revisited, 2004-2005)277
Appendix291
Notes295
Index304

Subjects