New Stories from the South 2008: The Year's Best »

Named one of the writers to watch in Book magazine's special "Newcomers" issue, ZZ Packer is quickly becoming known as a literary wunderkind with a talent for writing short fiction that goes a long way, as is evident in her debut collection, Drinking Coffee Elsewhere.

This year, acclaimed short-story writer ZZ Packer chooses twenty distinctive stories representing the great number of voices and narratives coming out of the South. Some of the youngest and freshest talents on the literary horizon—Bret Anthony Johnston, Kevin Brockmeier, Holly Goddard Jones—accompany well-known Southern stalwarts, including Pinckney Benedict, Clyde Edgerton, and Ron Rash. Their stories tell of life as it is now, a life not seen in romanticized Southern fiction, one where existence—both urban and rural—is as raw and risky as it is alluring. The energy of this collection courses through every one of Packer's edgy, funny, and gritty selections.

Kirkus Reviews

According to the introduction by PEN/Faulkner finalist Packer (Drinking Coffee Elsewhere, 2003), these 20 stories from American magazines represent "southerners" rather than "Southerners," the dividing line between realism and (mythic) stereotype. Several stories straddle that line. R.T. Smith titles his lyrical but familiar anti-war Civil War story with an iconic Southernism, "Wretch Like Me." The title of Clyde Edgerton's "The Great Speckled Bird" is also blatantly iconic, and Edgerton acknowledges in his afterword-each writer describes his or her story's origins-that his tale, about a thief who takes a Bible salesman as his assistant in crime, is a purposeful tribute to Flannery O'Connor; alas, O'Connor did O'Connor better. The more successful stories are firmly contemporary. In many of the best, young protagonists struggle with the kind of troubled families found everywhere. The opener, Holly Goddard Jones's beautifully crafted "Theory of Reality," delves into a young girl's shifting awareness of sex and its danger. Ecological and emotional dangers present themselves to the young boy whose father kills infected cattle for a living in Pinckney Benedict's "Bridge of Sighs." In Mary Miller's "Leak" and Daniel Wallace's "The Girls," girls broaching adolescence live in awkward affection with their fathers. In Amina Gautier's "The Ease of Living," a teenager's mother sends him to stay with his ailing grandfather in Tallahassee to get off the New York streets. Social issues thread through the stories with mixed effect. "Child of God" by Jennifer Moses, about a former addict, leaves a do-gooder aftertaste, but in "First Husband, First Wife," Jim Tomlinson uses drug-dealing and legalbureaucracy to create a heart-wrenching love story. And in "Back of Beyond," about a pawnbroker named Parson who must visit his estranged brother's farm because Parson's nephew has stolen and pawned a shotgun to support his meth habit, Ron Rash turns what could be cliches of white-trash Southernness into a masterpiece on rectitude and family. A few clunkers, a few gems and many readable, very human slices of life.

Introduction by ZZ Packer
Holly Goddard Jones, Theory of Realty
Pinckney Benedict, Bridge of Sighs
Amina Gautier, The Ease of Living
Kevin Moffett, First Marriage
Robert Drummond, The Unnecessary Man
Stephanie Soileau, So This Is Permanence
Clyde Edgerton, The Great Speckled Bird
Ron Rash, Back of Beyond
Merritt Tierce, Suck It
R.T. Smith, Wretch Like Me
Karen E. Bender, Candidate
David James Poissant, Lizard Man
Daniel Wallace, The Girls
Jim Tomlinson, First Husband, First Wife
Bret Anthony Johnston, Republican
Mary Miller, Leak
Charlie Smith, Albemarle
Jennifer Moses, Child of God
Stephanie Dickinson, Lucky Seven & Dalloway
Kevin Brockmeier, Andrea Is Changing Her Name