Authors: Howard Mayer Brown
ISBN-13: 9780134000459, ISBN-10: 0134000455
Format: Paperback
Publisher: Prentice Hall
Date Published: September 1998
Edition: 2nd Edition
A history of Renaissance music focused on the music itself and the social and institutional contexts that shaped musical genres and performance. This book provides a complete overview of music in the 15th and 16th Centuries. It explains the most significant features of the music and the distinguishing characteristics of Renaissance composers (in Europe and the New World). It includes a large integrated anthology of 94 musical examples, as well as illustrations of musical instruments, notation, and ensembles.
An introduction to the music of the Renaissance period of Western civilization, for students and music lovers. Focus is on the history of musical style and how composers' attitudes toward written, composed music changed over the course of 200 years. Contains chapters on key figures and their innovations, as well as particular styles and genres. This second edition brings material up to date in matters of historical record, and reflects scholarship since 1976. Annotation c. by Book News, Inc., Portland, Or.
List of Illustrations | ||
Foreword | ||
Preface | ||
Introduction: Music in the Renaissance | 1 | |
1 | The Beginnings: Dunstable and the Contenance Angloise | 7 |
Leonel Power and the Old Hall Manuscript | 11 | |
John Dunstable | 16 | |
English Secular Music | 19 | |
2 | Dufay and Binchois | 22 |
Guillaume Dufay | 25 | |
Gilles Binchois | 49 | |
Contemporaries of Dufay and Binchois | 54 | |
3 | Ockeghem and Busnoys | 60 |
Johannes Ockeghem | 61 | |
Antoine Busnoys | 72 | |
Contemporaries of Busnoys and Ockeghem | 76 | |
4 | Music of the Courts and Chapels in Italy, 1490-1520 | 82 |
The Frottola and Related Types | 87 | |
Canti Carnascialeschi and Other Florentine Music | 94 | |
Laude and Other Italian Sacred Music | 99 | |
5 | Josquin Des Prez | 103 |
Josquin's Motets | 109 | |
Josquin's Masses | 120 | |
Josquin's Secular Music | 127 | |
6 | Josquin's Contemporaries | 134 |
Alexander Agricola (1446-1506) | 134 | |
Jacob Obrecht (ca. 1457-1505) | 138 | |
Loyset Compere (ca. 1450-1518) | 142 | |
Heinrich Isaac (ca. 1450-1517) | 146 | |
Pierre de la Rue (ca. 1460-1518) | 153 | |
Jean Mouton (ca. 1459-1522) | 156 | |
Other Contemporaries of Josquin | 159 | |
7 | The Post-Josquin Generation | 165 |
Nicolas Gombert | 168 | |
Adrian Willaert | 177 | |
Clemens non Papa and Others | 182 | |
8 | Sixteenth-Century Genres and Traditions | 190 |
The Parisian Chanson | 191 | |
The Italian Madrigal | 197 | |
The Coexistence of International and Regional Genres | 206 | |
9 | Instrumental Music | 249 |
Instrumental Performance of Vocal Music | 255 | |
Settings of Pre-existent Melodies | 257 | |
Variation Sets | 259 | |
Ricercars, Fantasias, and Canzonas | 263 | |
Preludes, Preambles, Toccatas, and Intonations | 264 | |
Dance Music | 265 | |
Lute Songs | 270 | |
10 | The Music of the Reformation and the Council of Trent | 273 |
11 | Palestrina, Lasso, Victoria, and Byrd | 281 |
Giovanni Pierluigi da Palestrina | 283 | |
Orlando di Lasso | 296 | |
Tomas Luis de Victoria | 309 | |
William Byrd | 317 | |
12 | The End of the Renaissance | 330 |
The Virtuoso Madrigalists | 336 | |
List of Musical Examples and their Sources | 365 | |
List of Abbreviations | 371 | |
Index | 373 |