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Music for Analysis: Examples from the Common Practice Period and the Twentieth Century » (6th Edition)

Book cover image of Music for Analysis: Examples from the Common Practice Period and the Twentieth Century by Thomas Benjamin

Authors: Thomas Benjamin, Robert Nelson, Michael Horvit, Michael Horvit, Robert Nelson
ISBN-13: 9780195188158, ISBN-10: 0195188152
Format: Other Format
Publisher: Oxford University Press, USA
Date Published: March 2006
Edition: 6th Edition

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Author Biography: Thomas Benjamin

Thomas Benjamin is Professor of Music Theory and Composition at the Peabody Conservatory of the Johns Hopkins University.

Michael Horvit is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Robert Nelson is Professor Emeritus of Music Theory and Composition at the University of Houston Moores School of Music.

Book Synopsis

This superbly varied collection offers more than 400 pieces of music from the Baroque period to the present. Selected by Thomas Benjamin, Michael Horvit, and Robert Nelson—three nationally respected composers and music theory teachers—the selections enable students to analyze a wide variety of genres, styles, textures, and composers that illustrate standard usage and idiomatic procedures. Featuring both excerpts and many complete pieces, Music for Analysis, Sixth Edition, is the perfect vehicle for analysis of style, musical idiom, small forms, tonal harmony, and contemporary techniques. "Questions for Analysis" in each unit provide pointed, perceptive guidance throughout the book. A detailed checklist and model analysis in Appendix A provide a useful summary for students who are learning to analyze music.

Features of the Sixth Edition:

• Includes a free audio CD of more than 140 examples from the text played on the piano, harpsichord, or organ by Dr. Rosilee Walker Russell, Artist-in-Residence at the University of Arkansas - Fort Smith

• In addition to the complete pieces included from the previous edition, the authors have added several new complete works, including "Gavea" by Darius Milhaud and a complete Mozart sonata

• Integrates many new model analyses into the body of the text, helping students to achieve a comprehensive analysis of the music

• Includes contrapuntal examples from composers other than Bach

• Provides precise measure numbers for all excerpts from larger pieces

• Adds an index of all complete pieces (supplementing the index of composers and making selections easier to find)

Table of Contents

Pt. IDiatonic materials
1Tonic triad
2Dominant triad in root position
3Dominant seventh and ninth in root position
4Subdominant triad in root position
5Cadential tonic six-four chord
6Tonic, subdominant, and dominant triads in first inversion
7Supertonic triad
8Inversions of the dominant seventh chord
9Linear (embellishing) six-four chords
10Submediant and mediant triads
11Leading tone triad
12Variant qualities of diatonic triads
13Supertonic seventh chord
14Leading tone seventh chord
15Other diatonic seventh chords
16Complete pieces for analysis I
Pt. IIChromatic materials
17Secondary (applied, borrowed) dominants
18Modulation to closely related keys
19Complete pieces for analysis II
20Linear (embellishing) diminished seventh chords
21Neapolitan triad
22Augmented sixth chords, submediant degree as lowest note
23Augmented sixth chords, other scale degrees as lowest note
24Augmented sixth chords, other uses
25Other means of modulation
26Ninth chords
27Extended linear usages
28Complete pieces for analysis III
29Examples of counterpoint
Pt. IIIContemporary materials
30Extended and altered tertian harmony
31Diatonic (church) modes
32Pandiatonicism and additive harmony
33Exotic (artificial, synthetic) scales
34Quartal and secundal harmony
35Polyharmony and polytonality
36Free atonality
37Twelve-tone serialism
38Music since 1945
39Complete pieces for analysis IV

Subjects