Authors: Penelope Gouk
ISBN-13: 9780300073836, ISBN-10: 0300073836
Format: Hardcover
Publisher: Yale University Press
Date Published: August 1999
Edition: (Non-applicable)
The role of natural magic in the rise of seventeenth-century experimental science has been the subject of lively controversy for several decades. Now Penelope Gouk introduces a new element into the debate: how music mediated between these two domains. Arguing that changing musical practice in sixteenth-century Europe affected seventeenth-century English thought on science and magic, she maps the various relationships among these apparently separate disciplines.
List of illustrations | ||
Preface | ||
Pt. 1 | Geographies | |
1 | Disciplinary Geographies: Categories, boundaries and margins | 3 |
2 | Social Geographies: Patterns of patronage, education and practice | 23 |
3 | Intellectual Geographies: Music, natural magic and their relationship to experimental philosophy | 66 |
Pt. 2 | Gallery | |
4 | Instruments: Music represented | 115 |
Pt. 3 | Narratives | |
5 | Musical Acoustics: From Bacon to the Royal Society | 157 |
6 | Robert Hooke: Natural magician, experimental philosopher | 193 |
7 | Isaac Newton: Pythagorean magus | 224 |
8 | Epilogue: The Making of Music and the Making of Science: Where did natural magic go? | 261 |
Appendix | key sources from antiquity to c. 1700 | 277 |
Select bibliography | 283 | |
Index | 294 |