Murder on a Girls' Night Out (Southern Sisters Series #1) »

Anne George (c.____ - 2001) was the Agatha Award-winning author of the Southern Sisters mystery series which culminate in Murder Boogies with Elvis, publishing in August 2001. Like Patricia Anne, she was a happily married former school teacher living in Birmingham, Alabama. Ms. George was also a former Alabama State Poet and a regular contributor to literary publications. During her lifetime she was nominated for several awards, including the Pulitzer. Being a true lady of the Old South, her date of birth will forever be a mystery.

Patricia Anne — "Mouse" — is respectful, respectable, and demure, a perfect example of genteel Southern womanhood. Mary Alice — "Sister" — is big, brassy, flamboyant, and bold. Together they have a knack for finding themselves in the center of some of Birmingham's most unfortunate unpleasantness.

Country Western is red hot these days, so overimpulsive Mary Alice thinks it makes perfect sense to buy the Skoot 'n' Boot bar — since that's where the many-times-divorced "Sister" and her boyfriend du jour like to hang out anyway. Sensible retired schoolteacher Patricia Anne is inclined to disagree — especially when they find a strangled and stabbed dead body dangling in the pub's wishing well. The sheriff has some questions for Mouse and her sister Sister, who were the last people, besides the murderer, of course, to see the ill-fated victim alive. And they had better come up with some answers soon — because a killer with unfinished business has begun sending them some mighty threatening messages...

Publishers Weekly

A refreshingly different heroine, retired Alabama schoolteacher Patricia Anne Hollowell, is drawn into a murder investigation after her colorful sister, Mary Alice, buys a country-western club. When the previous owner is found gruesomely murdered, the suspects include the club's cook, one of Patricia Anne's former prize students. Sprightly dialogue and a humorous eye for detail get this mystery off to a promising start. However, once the offbeat characters are introduced, they and their relationships fail to change or deepen. The dialogue becomes repetitive, and the telling domestic observations lapse into trivia. Clues accumulate more through coincidence than through investigation, with the conclusion weighed down by a welter of implausible connections and old secrets. (Feb.)