Authors: Virginia Woolf, Maureen Howard
ISBN-13: 9780156628709, ISBN-10: 0156628708
Format: Paperback
Publisher: Houghton Mifflin Harcourt
Date Published: September 1990
Edition: (Non-applicable)
The early decades of the 20th century saw the rise of the experimental novel, and few writers had more success with their experiments than Virginia Woolf. Her innovative approach as a novelist, critic, and biographer made her an author who is even more widely read today than she was in her own time.
This brilliant novel explores the hidden springs of thought and action in one day of a woman’s life. Direct and vivid in her account of the details of Clarissa Dalloway’s preparations for a party she is to give that evening, Woolf ultimately managed to reveal much more. For it is the feeling behind these daily events that gives Mrs. Dalloway its texture and richness and makes it so memorable. Foreword by Maureen Howard.
"Mrs. Dalloway was the first novel to split the atom. If the novel before Mrs. Dalloway aspired to immensities of scope and scale, to heroic journeys across vast landscapes, with Mrs. Dalloway Virginia Woolf insisted that it could also locate the enormous within the everyday; that a life of errands and party-giving was every bit as viable a subject as any life lived anywhere; and that should any human act in any novel seem unimportant, it has merely been inadequately observed. The novel as an art form has not been the same since.
"Mrs. Dalloway also contains some of the most beautiful, complex, incisive and idiosyncratic sentences ever written in English, and that alone would be reason enough to read it. It is one of the most moving, revolutionary artworks of the twentieth century."
Michael Cunningham, author of The Hours
Virginia Woolf stands as the chief figure of modernism in England and must be included with Joyce and Proust in the realization of experiments that have completely broken with tradition.
Acknowledgements | ||
General Editors' Preface | ||
Introduction | 1 | |
1 | Virginia Woolf | 23 |
2 | Figures of Desire: Narration and Fiction in To the Lighthouse | 33 |
3 | Mrs Dalloway: Repetition as Raising of the Dead | 45 |
4 | Repression in Mrs Dalloway's London | 57 |
5 | Hume, Stephen, and Elegy in To the Lighthouse | 71 |
6 | Who's Afraid of Virginia Woolf? Feminist readings of Woolf | 87 |
7 | Mrs Dalloway | 98 |
8 | 'Cam the Wicked': Woolf's Portrait of the Artist as her Father's Daughter | 112 |
9 | Mothers and Daughters in Virginia Woolf's Victorian Novel | 130 |
10 | Thinking Forward Through Mrs Dalloway's Daughter | 142 |
Further Reading | 156 | |
Notes on Contributors | 162 | |
Index | 164 |