Authors: Nathaniel Hawthorne, Susan Manning
ISBN-13: 9780199554072, ISBN-10: 0199554072
Format: Paperback
Publisher: Oxford University Press, USA
Date Published: February 2009
Edition: Reissue
"Words -- so innocent and powerless as they are, as standing in a dictionary, how potent for good and evil they become in the hands of one who knows how to combine them," Nathaniel Hawthorne once reflected. Hawthorne's own words indeed had an undeniable power. Author of The Scarlet Letter and originator of the American short story, Hawthorne left an indelible impression on literature that would influence his fellow writers into the next century.
"The fragility - and the durability - of human life and art dominate this story of American expatriates in Italy in the mid-nineteenth century. Befriended by Donatello, a young Italian with the classical grace of the 'Marble Faun', Miriam, Hilda, and Kenyon find their pursuit of art taking a sinister turn as Miriam's unhappy past precipitates the present into tragedy." Hawthorne's 'International Novel' dramatizes the confrontation of the Old World and the New and the uncertain relationship between the 'authentic' and the 'fake' in life as in art. The author's evocative descriptions of classic sites made The Marble Faun a favourite guidebook to Rome for Victorian tourists, but his richly ambiguous symbolic romance is also the story of a murder, and a parable of the Fall of Man. As the characters find their civilized existence disrupted by the awful consequences of impulse, Hawthorne leads his readers to question the value of Art and Culture and addresses the great evolutionary debate which was beginning to shake Victorian society.
Author's Preface | iii | |
I. | Miriam, Hilda, Kenyon, Donatello | 1 |
II. | The Faun | 5 |
III. | Subterranean Reminiscences | 10 |
IV. | The Specter of the Catacomb | 14 |
V. | Miriam's Studio | 20 |
VI. | The Virgin's Shrine | 29 |
VII. | Beatrice | 36 |
VIII. | The Suburban Villa | 41 |
IX. | The Faun and Nymph | 45 |
X. | The Sylvan Dance | 50 |
XI. | Fragmentary Sentences | 54 |
XII. | A Stroll on the Pincian | 59 |
XIII. | A Sculptor's Studio | 68 |
XIV. | Cleopatra | 74 |
XV. | An Aesthetic Company | 79 |
XVI. | A Moonlight Ramble | 86 |
XVII. | Miriam's Trouble | 93 |
XVIII. | On the Edge of a Precipice | 98 |
XIX. | The Faun's Transformation | 105 |
XX. | The Burial Chant | 109 |
XXI. | The Dead Capuchin | 114 |
XXII. | The Medici Gardens | 120 |
XXIII. | Miriam and Hilda | 124 |
XXIV. | The Tower Among the Apennines | 130 |
XXV. | Sunshine | 135 |
XXVI. | The Pedigree of Monte Beni | 142 |
XXVII. | Myths | 149 |
XXVIII. | The Owl Tower | 155 |
XXIX. | On the Battlements | 160 |
XXX. | Donatello's Bust | 167 |
XXXI. | The Marble Saloon | 172 |
XXXII. | Scenes by the Way | 179 |
XXXIII. | Pictured Windows | 186 |
XXXIV. | Market Day in Perugia | 192 |
XXXV. | The Bronze Pontiff's Benediction | 196 |
XXXVI. | Hilda's Tower | 202 |
XXXVII. | The Emptiness of Picture Galleries | 207 |
XXXVIII. | Altars and Incense | 213 |
XXXIX. | The World's Cathedral | 219 |
XL. | Hilda and a Friend | 225 |
XLI. | Snowdrops and Maidenly Delights | 232 |
XLII. | Reminiscences of Miriam | 237 |
XLIII. | The Extinction of a Lamp | 242 |
XLIV. | The Deserted Shrine | 248 |
XLV. | The Flight of Hilda's Doves | 254 |
XLVI. | A Walk on the Campagna | 260 |
XLVII. | The Peasant and Contadina | 264 |
XLVIII. | A Scene in the Corso | 271 |
XLIX. | A Frolic in the Carnival | 276 |
L. | Miriam, Hilda, Kenyon, Donatello | 283 |
Postscript | 288 |