London Bridges (Alex Cross Series #10) » (Reprint)

Not making any bones about his bid for success, James Patterson once declared he wanted to be known as the king of the page-turners. While that may seem like a pretty grand ambition, Patterson is as worthy of that title as any author working today.

Alex Cross is back--and so is the Big Bad Wolf.

Terrorists have seized the worlds largest cities. London, Washington, DC, New York, and Frankfurt will be destroyed, unless their demands are met--and their demands are impossible. After a city in the western United States is fire bombed--a practice run--Alex Cross knows that it is only a matter of time before the bombers threats to the other cities are brutally executed.

Heading up the investigation by the FBI, CIA, and Interpol, Alex Cross is stunned when surveillance photos show Geoffrey Shafer, the Weasel, near one of the bombing sites. He senses the presence of the Wolf as well, the most vicious predator he has ever battled. With millions of lives in the balance, Cross has to see if the most powerful law enforcement agencies in the world can stay ahead of these two men's cunning.

Publishers Weekly

In his 10th adventure, Alex Cross, now working full time for the FBI, is confronted by two of his most deadly foes: the faceless ex-KGB agent from last year's Big Bad Wolf, who's known as "The Wolf" and is threatening four metropolises with nuclear destruction; and the insane serial killer The Weasel, last seen in Patterson's Pop Goes the Weasel. Patterson's action is fast and furious, and narrators Fernandez and O'Hare do a fine job of keeping up with him. O'Hare does especially well with his performance of The Wolf, giving the Russian-accented villain a calm, almost soothing vocalization that nicely counters his sadistic actions. Fernandez brings a warm humanity to Cross, especially in scenes with his family, giving listeners a break from the murder and mayhem that rule much of the book. The narrators' performances are accompanied by well-placed music and sound effects. Each chapter opens with an ominous ticking clock and an electronically distorted voice announcing the chapter title, a technique that at first seems fitting for the book's style and tone, but soon becomes more annoying than effective. Still, this one quibble will not stop Patterson's fans from thoroughly enjoying the latest installment in the Cross series. Simultaneous release with the Little, Brown hardcover (Forecasts, Nov. 8, 2004). (Nov.) Copyright 2005 Reed Business Information.