Local Girls » (Unabridged)

In a prolific career that began with early writings in the American Review, Alice Hoffman has expanded and developed the idea of family and community -- the forces that bind it together and the forces that drive it apart -- with understated and elegant prose and powerful and complex characters.

The New York Times Book Review has noted, "Alice Hoffman writes quite wonderfully about the magic in our lives," and now she casts her spell over a Long Island neighborhood filled with dreamers and dreams. In a dazzling series of family portraits, Hoffman evokes the world of the Samuelsons, a family torn apart by tragedy and divorce in a world of bad judgment and fierce attachments, disappointments and devotion.

With rich, pure prose Hoffman charts the progress of Gretel Samuelson from the time she is a young girl already acquainted with betrayal and grief, until she finally leaves home. Gretel's sly, funny, knowing perspective is at the heart of this collection, as she navigates through loyalty and loss with the help of an unforgettable trio of women: her best friend, Jill, her romance-addled cousin Margot, and her mother, Franny, whose spiritual journey affects them all. Told in alternating voices, these stories are funny and lyrical, disturbing and healing, each a lesson in survival, a reminder of the ties of blood, and the power of friendship.

Publishers Weekly

Hoffman's chosen form of a novelistic group of short stories--all of which share the same family characters--lends itself nicely to the abridged audio format, in which the fragmentation seems a willful form of stylized narration. The audio's producers have augmented this effect: two narrators, the airy Merlington and the pragmatic Vigesaa, play off against each other in tone as they trade stories. In the opener, Gretel Samuelson tells of her family's troubles in confidential, diarylike schoolgirl terms. In later offerings, omniscient descriptions are given of mother Franny's fight against cancer and brother Jason's disintegration as a heroin addict. Though dysfunctional family fiction seems standard fare these days, Hoffman's highly individual knack for creating a sense of specific atmosphere is uncanny and unique, a quality that translates especially well in spoken form. Based on the 1999 Putnam hardcover. (June) Copyright 1999 Cahners Business Information.