Authors: Nigel Smith
ISBN-13: 9780300059748, ISBN-10: 0300059744
Format: Hardcover
Publisher: Yale University Press
Date Published: August 1994
Edition: (Non-applicable)
The years of the Civil War and Interregnum have usually been marginalised as a literary period. This wide-ranging and highly original study demonstrates that these central years of the seventeenth century were a turning point, not only in the political, social and religious history of the nation, but also in the use and meaning of language and literature. At a time of crisis and constitutional turmoil, literature itself acquired new functions and played a dynamic part in the fragmentation of religious and political authority. For English people, Smith argues, the upheaval in divine and secular authority provided both motive and opportunity for transformations in the nature and meaning of literary expression. The increase in pamphleteering and journalism brought a new awareness of print; with it existing ideas of authorship and authority collapsed. Through literature, people revised their understanding of themselves and attempted to transform their predicament. Smith examines literary output ranging from the obvious masterworks of the age - Milton's Paradise Lost, Hobbes's Leviathan, Marvell's poetry - to a host of less well-known writings. He examines the contents of manuscripts and newsbooks sold on the streets, published drama, epics and romances, love poetry, praise poetry, psalms and hymns, satire in prose and verse, fishing manuals, histories. He analyses the cant and babble of religious polemic and the language of political controversy, demonstrating how, as literary genres changed and disintegrated, they often acquired vital new life. Ranging further than any other work on this period, and with a narrative rich in allusion, the book explores the impact of politics on the practice of writing and the role of literature in the process of historical change.
List of Illustrations | ||
Preface | ||
Abbreviations | ||
Introduction: Dissent Refracted: Text, Genre and Society 1640-60 | 1 | |
Pt. I | Writing, Publishing and Reading in the War | 21 |
Ch. 1 | Unstable Parameters | 23 |
Ch. 2 | Public Fora | 54 |
Pt. II | Rhetoric, Politics and Religion | 93 |
Ch. 3 | The Meaning of the Centre | 95 |
Ch. 4 | Discourse from Below: The Levellers, the City and the Army | 130 |
Ch. 5 | Political Theory as Aesthetics: Hobbes, Harrington, Winstanley | 154 |
Ch. 6 | The Free State in Letters: Republicanism Comes Out | 177 |
Pt. III | Mythologising Calamity: Genres in Revolution | 201 |
Ch. 7 | Heroic Work | 203 |
Ch. 8 | The Instrumentality of Lyrics | 250 |
Ch. 9 | Satire: Whose Property? | 295 |
Ch. 10 | Calamity as Narrative | 320 |
Conclusion | 357 | |
Notes | 365 | |
Index | 403 |