Let Me Call You Sweetheart » (Reprint)

Mary Higgins Clark likes to delve into different worlds in her crackerjack novels of suspense; but while the milieus change, her stories are always compelling. As she puts it: "I write about people going about their daily lives, not looking for trouble, who are suddenly plunged into menacing situations."

It's a minor accident that brings prosecutor Kerry McGrath to the plastic surgeon's office with her beloved daughter, Robin. But even as the doctor assures Kerry that her daughter's scars will heal, she spies a familiar-looking beautiful woman in the waiting room and is seized by an overpowering sense of déjà vu.

Publishers Weekly

The latest from the Clark suspense factory has a spunky New Jersey prosecutor, Kerry McGrath, as its heroine in danger. Kerry has taken an interest in a 10-year-old murder case, in which Skip Reardon had been found guilty of slaying his beautiful wife, Suzanne, and has since been pleading his innocence from his jail cell. When Kerry's small daughter, Robin, goes to a New York plastic surgeon after a car crash, it is apparent that Dr. Smith, who was Suzanne's father, is weird. He seems to be fashioning the faces of young women to resemble his dead daughter-and it was his testimony that sent Skip to jail. Kerry's interest in the case (and her parallel interest in Skip's good-guy lawyer) may harm her chances of a judgeship, and it also draws the ominous attention of another possible suspect, James Weeks, a wealthy real-estate magnate with rumored mob connections. Then there's elegant, tasteful art burglar Jason Arnott, who had also known Suzanne.... As usual, Clark's plot, unfolded in dozens of short chapters, is convoluted, full of red herrings and finally wrapped up with a villain out of left field. The writing is crisp but colorless, characterization minimal, atmosphere nonexistent; but the cozy evocation of a deserving damsel in distress who attains a happy ending seems never to disappoint her legions of fans.