Journey from the Land of No: A Girlhood Caught in Revolutionary Iran » (Reprint)

With her memoir Journey from the Land of No: A Girlhood Caught in Revolutionary Iran Roya Hakakian paints a portrait of Iran never before experienced by readers.

“We stormed every classroom, inscribed our slogans on the blackboard . . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic’s diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us.”

In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl’s attempt to find an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create
a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor.

Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusionof youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing.

Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, “pen in hand, I led my own chorus of words, with a melody of my own making.” And she discovers the craft that would ultimately enable her to find her own voice and become her own person.

A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

Publishers Weekly

Political upheavals like the fall of the Shah of Iran and the rise of Islamic fundamentalism may be analyzed endlessly by scholars, but eyewitness accounts like Hakakian's help us understand what it was like to experience such a revolution firsthand. The documentary filmmaker and poet was born to a prominent Tehran Jewish family in 1966, two years after the Shah had exiled Islamic fundamentalist leader Ayatollah Khomeini. As Jews in a largely Muslim world, the family knew how to live respectfully with their neighbors. With powerful illustrations, Hakakian relates how, in 1979, when the Shah fled and Khomeini returned triumphant, she joined the cheering crowds. Khomeini's revolution seemed liberating, but before long, the grip of the Islamic extremists tightened. Women were put under strict surveillance; books and speech were censored. Anti-Jewish graffiti appeared. As the targeting became more visible-being made to use separate toilets and drinking fountains, being required to identify their businesses as non-Muslim-many Jews emigrated. After Hakakian describes the teacher who risked her job to give her high marks on a "subversive" paper or grips readers with the tale of how she and her teen buddies barely evaded the morality police, readers just want her to leave, too, which her family did, in 1984. Hakakian's story-so reminiscent of the experiences of Jews in Nazi Germany-is haunting. Maps. Agent, Flip Brophy. (Aug.) Forecast: An author tour, regional NPR campaign and Hakakian's media connections will help sales, but the real kicker will be Hakakian's appearance at Jewish book fairs this fall. Copyright 2004 Reed Business Information.