Jazz: A History of America's Music » (Reprinted Edition)

Geoffrey C. Ward is the author of eleven books, including A First-Class Temperament, which won the 1989 National Book Critics Circle Award and the 1990 Francis Parkman Prize of the Society of American Historians. He has written or co-written many documentary films, including The Civil War, Baseball, The West, Thomas Jefferson, Not for Ourselves Alone, and Jazz. He lives in New York City.

Ken Burns, founder of Florentine Films, is a director, producer, and writer who has been making documentaries for more than twenty years. His landmark film The Civil War was the highest-rated series in the history of American public television, and his work has won numerous prizes, including the Emmy and Peabody Awards. He lives in Walpole, New Hampshire.

With essays by Dan Morgenstern, Gerald Early, Gary Giddins, and Stanley Crouch. And featuring interviews with Wynton Marsalis and Albert Murray.

The companion volume to the ten-part PBS TV series by the team responsible for
The Civil War and Baseball.

Continuing in the tradition of their critically acclaimed works, Geoffrey C. Ward and Ken Burns vividly bring to life the story of the quintessential American music—jazz. Born in the black community of turn-of-the-century New Orleans but played from the beginning by musicians of every color, jazz celebrates all Americans at their best.

Here are the stories of the extraordinary men and women who made the music: Louis Armstrong, the fatherless waif whose unrivaled genius helped turn jazz into a soloist's art and influenced every singer, every instrumentalist who came after him; Duke Ellington, the pampered son of middle-class parents who turned a whole orchestra into his personal instrument, wrote nearly two thousand pieces for it, and captured more of American life than any other composer. Bix Beiderbecke, the doomed cornet prodigy who showed white musicians that they too could make an important contribution to the music; Benny Goodman, the immigrants' son who learned the clarinet to help feed his family, but who grew up to teach a whole country how to dance; Billie Holiday, whose distinctive style routinely transformed mediocre music into great art; Charlie Parker, who helped lead a musical revolution, only to destroy himself at thirty-four; and Miles Davis, whose search for fresh ways to sound made him the most influential jazz musician of his generation, and then led him to abandon jazz altogether. Buddy Bolden, Jelly Roll Morton, Dizzy Gillespie, Art Tatum, Count Basie, Dave Brubeck, Artie Shaw, and Ella Fitzgerald are all here; so are Sidney Bechet, Coleman Hawkins, Lester Young, John Coltrane, Ornette Coleman, and a host of others.

But Jazz is more than mere biography. The history of the music echoes the history of twentieth-century America. Jazz provided the background for the giddy era that F. Scott Fitzgerald called the Jazz Age. The irresistible pulse of big-band swing lifted the spirits and boosted American morale during the Great Depression and World War II. The virtuosic, demanding style called bebop mirrored the stepped-up pace and dislocation that came with peace. During the Cold War era, jazz served as a propaganda weapon—and forged links with the burgeoning counterculture. The story of jazz encompasses the story of American courtship and show business; the epic growth of great cities—New Orleans and Chicago, Kansas City and New York—and the struggle for civil rights and simple justice that continues into the new millennium.

Visually stunning, with more than five hundred photographs, some never before published, this book, like the music it chronicles, is an exploration—and a celebration—of the American experiment.

Publishers Weekly

A companion volume to the new Burns and Ward documentary, this lavishly illustrated history describes the evolution of jazz during the 20th century, focusing on the careers of a key players like Duke Ellington, Louis Armstrong, Charlie Parker, Miles Davis and Benny Goodman. In his introduction to the massive volume, Burns writes that his decision to make Jazz was inspired by a comment made by Gerald Early, a writer he interviewed for the authors' last documentary, Baseball. "Two thousand years from now," Early said, "there will only be three things that Americans will be known for: The Constitution, baseball and jazz music." Burns admits he knew next to nothing about jazz before deciding to create "the most comprehensive treatment of jazz ever committed to film," and there lies the work's Achilles' heel. Burns has his conclusion--that jazz is a metaphor for the United States--firmly in hand before he begins to know his subject. This smugness translates into a rather tepid, conservative view of jazz. Not every subject or musician can be touched upon in one book; however, it does seem strange that such a sweepingly titled volume does not touch upon the musical roots of jazz, e.g. Africa's talking drums, or mention the Lockbourne Airforce Base, where many noted black jazz musicians received training. The entire 40-year period from 1960 forward is relegated to a single chapter, a rather pronounced statement about how the authors feel about more recent achievements. More than 500 illustrations and photos. (Nov. 6) Copyright 2000 Cahners Business Information.

Preface vii
Gumbo: Beginnings to 1907                 1
The Gift: 1907--1917              37
The Jazz Age: 1917--1924              63
Our Language: 1925--1929              123
Hard, Hard Times: 1929--1935              173
The Velocity of Celebration: 1936--1939 233
Dedicated to Chaos: 1940--1945              281
Risk: 1945--1950                            333
The Adventure: 1950--1960              369
A Masterpiece by Midnight: 1960 to the Present                427
Acknowledgments                            463
Selected Bibliography                            465
Index                                          470
Text Permissions                            487
Illustration Credits                            489
Film Credits                            490