Authors: E. Taylor Atkins
ISBN-13: 9781578066094, ISBN-10: 1578066093
Format: Paperback
Publisher: University Press of Mississippi
Date Published: November 2003
Edition: 1st Edition
The first book to detail the spread and evolution of jazz into cultures around the world
From the beginning, jazz has wrestled with two issues: first, how to reconcile the perceived need to legitimize the genre while clinging to the idea that it developed through some sort of mysterious primitivism, and, second, how to accept its development throughout the world almost from its birth in the United States, which seems to make historians uncomfortable (see Gary Giddins's Visions of Jazz: The First Century). For this excellent anthology, Atkins (history, Northern Illinois Univ.; Blue Nippon: Authenticating Jazz in Japan) commissioned an array of authors to tackle these issues head-on. The result is a bracing text that does, in fact, bring some resolution to these issues. For one thing, it appears that, despite what jazz historians and commentators have tried to argue, musicians haven't been too worried about legitimizing their art because they know that from its earliest incarnations its influence has been deeply felt throughout the cultural realm. Highly recommended for all music collections.-William G. Kenz, Minnesota State Univ. Lib., Moorhead Copyright 2003 Reed Business Information.
Acknowledgments | ||
Toward a Global History of Jazz | ||
Pt. I | Local Heroes | |
"Si no tiene swing no vaya'a la rumba": Cuban Musicians and Jazz | 3 | |
Django Reinhardt's Left Hand | 19 | |
Brazilian Jazz and Friction of Musicalities | 41 | |
Jazz in India: Perspectives on Historical Development and Musical Acculturation | 59 | |
Interpreting the Creative Process of Jazz in Zimbabwe | 81 | |
Musical Transculturation: From African American Avant-Garde Jazz to European Creative Improvisation, 1962-1981 | 99 | |
Gianluigi Trovesi's Music: An Historical and Geographical Short-Circuit | 115 | |
Pt. II | Local Politics | |
The Music of the Gross, 1928-1931 | 129 | |
Naturalizing the Exotic: The Australian Jazz Convention | 151 | |
Music and Emancipation: The Social Role of Black Jazz and Vaudeville in South Africa Between the 1920s and the Early 1940s | 169 | |
A Japanese Story about Jazz in Russia: Itsuki Hiroyuki's "Farewell, Moscow Gang" | 191 | |
Swinging Differences: Reconstructed Identities in the Early Swedish Jazz Age | 207 | |
Black Internationale: Notes on the Chinese Jazz Age | 225 | |
Notes | 245 | |
Bibliography | 257 | |
Contributors | 277 | |
Index | 281 |