Hugo Riemann and the Birth of Modern Musical Thought »

Alexander Rehding is Cotsen Fellow at the Princeton Society of Fellows. He is co-editor of Music Theory and Natural Order from the Renaissance to the Early Twentieth Century (Cambridge University Press 2001). He was awarded the Jerome Roche Prize of the Royal Musical Society in 2001.

Demonstrates how Riemann's theories advanced an understanding of the tonal tradition as both natural and German.