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Howards End » (Reissue)

Book cover image of Howards End by E. M. Forster

Authors: E. M. Forster
ISBN-13: 9780553212082, ISBN-10: 0553212087
Format: Mass Market Paperback
Publisher: Random House Publishing Group
Date Published: October 1985
Edition: Reissue

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Author Biography: E. M. Forster

A graceful writer with a keen eye for the bittersweetness bound in differences of class and culture, E. M. Forster had an abbreviated but remarkably successful career as a novelist and established himself as one of England's most insightful 20th-century writers.

Book Synopsis

"To me," D. H. Lawerence once wrote to E. M. Forster, "you are the last Englishman."

Indeed, Forster's novels offer contemporary readers clear, vibrant portraits of life in Edwardian England. Published in 1908 to both critical and popular acclaim, A Room with a View is a whimsical comedy of manners that owes more to Jane Austen that perhaps any other of his works.

The central character is a muddled young girl named Lucy Honeychurch, who runs away from the man who stirs her emotions, remaining engaged to a rich snob. Forster considered it his 'nicest' novel, and today it remains probably his most well liked. Its moral is utterly simple. Throw away your etiquette book and listen to your heart. But it was Forster's next book, Howards End, a story about who would inhabit a charming old country house (and who, in a larger sense, would inherit England), that earned him recognition as a major writer.

Centered around the conflict between the wealthy, materialistic Wilcox family and the cultured, idealistic Schlegel sisters-and informed by Forester's famous dictum 'Only connect'-it is full of tenderness towards favorite characters.

Howards End is a classic English novel . . . superb and wholly cherishable . . . one that admirers have no trouble reading over and over again,' said Alfred Kazin.

Table of Contents

About the Series
Abut This Volume
Introduction: Biographical and Historical Contexts3
The Complete Text21
A Critical History of Howards End295
Psychoanalytic Criticism and Howards End313
Picturing the Self as Other: Howards End as Psychobiography329
Cultural Criticism and Howards End345
Howards End: Fiction as History364
Feminist and Gender Criticism and Howards End379
Gesturing toward an Open Space: Gender, Form, and Language in Howards End400
Marxist Criticism and Howards End416
Howards End: Gasoline and Goddesses432
Deconstruction and Howards End447
Just Reading Howards End467
Glossary of Critical and Theoretical Terms483
About the Contributors497

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