Heaven » (Reprint)

Angela Johnson is the author of the Coretta Scott King Honor picture book When I Am Old with You; as well as A Sweet Smell of Roses, illustrated by Eric Velasquez; Just Like Josh Gibson, illustrated by Beth Peck; and I Dream of Trains, which was also illustrated by Loren Long. She has won three Coretta Scott King Awards, one each for her novels Heaven, Toning the Sweep, and The First Part Last. Her latest novel, Sweet, Hereafter, completed the Heaven trilogy. In recognition of her outstanding talent, Angela was named a 2003 MacArthur Fellow. She lives in Kent, Ohio.

Marley has lived in Heaven since she was two years old, when her mother found a postcard postmarked HEAVEN, OH on a park bench and decided that was where she wanted to raise her family.

And for twelve years, Marley's hometown has lived up to its name. She lives in a house by the river, has loving parents, a funny younger brother, good friends, and receives frequent letters from her mysterious Uncle Jack. Then one day a letter arrives form Alabama, and Marley's life is turned upside down. Marley doesn't even know who she is anymore -- but where can she go for answers, when she's been deceived by the very people she should be able to trust the most?

Publishers Weekly

As in her Gone from Home, Johnson here explores the themes of what makes a place home and which people family. Fourteen-year-old Marley's tranquil life in Heaven, Ohio, turns hellish the day her family receives a letter from Alabama. The note (from the pastor of a church that was destroyed by arson) requests a replacement for Marley's baptismal record, and reveals that "Momma" and "Pops" are really Marley's aunt and uncle, and mysterious Jack (an alleged "uncle" with whom Marley has corresponded but doesn't remember) is her true father. In this montage of Marley's changing perceptions, Johnson presents fragments of the whole picture a little at a time: images of people, places (the Western Union building "1637" steps away from Marley's house) and artifacts (a box filled with love letters between her birth parents) gain significance as Marley begins to make sense of the past and integrate her perceptions into her new identity. The author's poetic metaphors describe a child grasping desperately for a hold on her reality ("It was one of those nights that started to go down before the sun did," she says of the evening the fateful letter arrives). The melding of flashbacks and present-day story line may be confusing initially, but readers who follow Marley's winding path toward revelation will be well rewarded.