Grievous Sin (Peter Decker and Rina Lazarus Series #6) » (Reprint)

Love is serious business in Faye Kellerman's murder mysteries, starring sleuthing couple Rina Lazarus and Peter Decker. Kellerman spices her hardboiled crime stories with issues involving modern Judaism (Rina is Orthodox), putting a unique spin on the mystery genre in both this series and two separate but similarly successful novels, Moon Music and The Quality of Mercy.

The birth of their baby girl has filled Rina Lazarus and her husband, LAPD Homicide Detective Peter Decker, with joy mingled with sorrow, since complications have ensured that they can have no more children. But the situation is grim at the hospital, which has been devastated by severe budget cutbacks and staff shortages. And when a respected nurse vanishes along with a newborn from the nursery, Peter and Rina fear for the safety of their own precious child—especially when the missing nurse's car is found at the bottom of a cliff . . . with a corpse inside.

A most grievous sin has been committed. In pursuit of justice, Decker—with the help of his tough-as-nails partner, Marge, and an able assist from his teenage daughter, Cindy—follows a twisted path that winds through a sinister maze of hospital politics, misplaced passions, and torturous mind games that can all too easily lead to murder.

Publishers Weekly

Complications in the delivery room lead to major surgery for Rina Decker, who, when last seen in False Prophet , was pregnant with her and husband Peter Decker's first child . She is barely out of danger when an infant vanishes from the hospital's understaffed nursery, and proud father Peter, an LAPD detective sergeant, declares (in a mercifully brief descent into melodrama), ``I owe it to that little baby girl to find her.'' Marie Bellson, the nurse in charge of the unit that night, has also disappeared, but it is difficult to tell whether the woman--apparently a fiercely dedicated nurse--is a villain or a second victim. Peter's partner, Marge Dunn, visits Marie's mother, Lita, at her retirement home. Lita, a real pistol unsoftened by age, clues Marge in on Marie's days as ``Miss Flower Child'' before she ``found Jesus'' and became a nurse. Despite extended excursions into Rina's medical tribulations and the awkward introduction of a significant character in isolated vignettes from left field, Kellerman weaves a satisfying mystery that includes elements of the Decker family's daily life as Orthodox Jews. Her plot is generated by the failings of very human characters and derives depth from her consideration of healthy and unhealthy family relationships. Author tour. (Aug.)