Gormenghast Novels: Titus Groan, Gormenghast, Titus Alone » (Reprint)

A doomed lord, an emergent hero, and a dazzling array of bizarre creatures inhabit the magical world of the Gormenghast novels which, along with Tolkien's Lord of the Rings, reign as one of the undisputed fantasy classics of all time. At the center of it all is the seventy-seventh Earl, Titus Groan, who stands to inherit the miles of rambling stone and mortar that form Gormenghast Castle and its kingdom, unless the conniving Steerpike, who is determined to rise above his menial position and control the House of Groan, has his way.

In these extraordinary novels, Peake has created a world where all is like a dream—lush, fantastical, and vivid. Accompanying the text are Peake's own drawings, illustrating the whole assembly of strange and marvelous creatures that inhabit Gormenghast.

* Introductory Essays by Anthony Burgess and Quentin Crisp

* Twelve critical essays

* Fragment of the unpublished novel, Titus Awakes

"Mervyn Peake is a finer poet than Edgar Allan Poe, and he is therefore able to maintain his world of fantasy brilliantly through three novels. It is a very, very great work . . . a classic of our age." — Robertson Davies

"[Peake's books] are actual additions to life; they give, like certain rare dreams, sensations we never had before, and enlarge our conception of the range of possible experience." — C. S. Lewis

"This extravagant epic about a labyrinthine castle populated with conniving Dickensian grotesques is the true fantasy classic of our time." — The Washington Post Book World

Mervyn Peake (1911-1968) was a playwright, painter, poet, illustrator, short story writer, and designer of theatrical costumes, as well as a novelist. Among his many books are Mr. Pye and Peake's Progress.

Gale Research

The Gormenghast Trilogy is highly considered by several critics. Price called it an "odd minor masterpiece," and Ostermann judged it "an eccentric, poetic masterpiece." R. G. Davis of the New York Times remarked that "Peake liberates and elevates as well as charms." Writing in the Spectator, J. W. M. Thompson stated that Peake has "a secure place among that precious line of originals . . . who resist classification and fashion, and go their own ways."