Gods and Soldiers: The Penguin Anthology of Contemporary African Writing »

Rob Spillman is editor and cofounder of Tin House, a bicoastal literary magazine, executive editor of Tin House Books, and cofounder of the Tin House Literary Festival. His writing has appeared in The New York Times Book Review, Rolling Stone, and Salon, among others.

A one-of-a-kind collection showcasing the energy of new African literature Coming at a time when Africa and African writers are in the midst of a remarkable renaissance, Gods and Soldiers captures the vitality and urgency of African writing today. With stories from northern Arabic-speaking to southern Zulu-speaking writers, this collection conveys thirty different ways of approaching what it means to be African. Whether about life in the new urban melting pots of Cape Town and Luanda, or amid the battlefield chaos of Zimbabwe and Somalia, or set in the imaginary surreal landscapes born out of the oral storytelling tradition, these stories represent a striking cross section of extraordinary writing. Including works by J. M. Coetzee, Chimamanda Adichie, Nuruddin Farah, Binyavanga Wainaina, and Chinua Achebe, and edited by Rob Spillman of Tin House magazine, Gods and Soldiers features many pieces never before published, making it a vibrant and essential glimpse of Africa as it enters the twenty-first century.

Publishers Weekly

Spillman, editor and cofounder of lit journal Tin House, brings together a diaspora full of urgency and possibility, featuring recent fiction and nonfiction (mostly fiction) from 30 African authors. First up is Chinua Achebe, author of the groundbreaking Things Fall Apart, looking at North African writers often excluded from the canon, reminding readers that Africa is far from homogeneous (entries come translated from Arabic, Zulu, French and other languages). Each piece finds a human story to illuminate the continent's history of plight and promise, turning up a range of voices: Helon Habila's breathtaking tale of a political prisoner forced to write poems for the prison superintendent's girlfriend; a scene from Ngugi wa Thong'o's novel Wizard of the Crow depicting an Orwellian celebration for an unnamed ruler; Patrice Nganang's essay "The Senghor Complex" examining the influence of poet Léopold Senghor, Senegal's first president ("[for] writers of my generation," he's "everyone's grandfather"). This collection sheds light on a multifarious continent too often thought of in one-size-fits-all terms. (May)

Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.