Get a Life » (Bargain)

Philippe Dupuy and Charles Berberian work inseparably as the cartooning team of Dupuy & Berberian. They live in Paris, France, and their illustrations have appeared in The New Yorker.

A celebration of the sophistication, wit and charm found only in the singular collaboration of French cartooning team

For twenty years, French cartoonists Philippe Dupuy and Charles Berberian have collaborated on every aspect—sharing both the writing and drawing—of their highly acclaimed Mr. Jean short stories, creating one of the most endearing, clever, and readable series in contemporary French comics. Their award-winning, critically acclaimed series has sold more than 120,000 copies in France and has won one of comics' most coveted awards, the prestigious Angoulême Alph-Art Award for the Best Book of the Year.

Get a Life is a collection of the early Mr. Jean stories where the reader is introduced to the life of the titular character, a laconic, single Parisian male struggling through the usual calamities of life: bachelorhood in his twenties and early thirties and the impending responsibilities of marriage, kids, and deadlines for his publisher. Mr. Jean is a typical everyman—a scholar who fancies himself a man of letters, a nostalgist whose memories carry a weight few can understand, a lover whose heart knows the greatest of burdens. Melancholic yet joyful reflections on past loves, favorite authors, marriage, and fatherhood are laid out in a breezy, comic style.

Publishers Weekly

Only a few of French cartoonists Dupuy and Berberian's delightful Monsieur Jean stories have previously appeared in English, but this volume collects translations of the earliest ones, originally published in the mid-'80s. Jean is a smalltime literary figure-a novelist, translator and jazz collector-on the cusp of 30, realizing that life is moving faster than he is. He's got an apartment too cheap to leave, with a landlady he can't stand; his old friends are getting married, having children, casually revealing long-ago betrayals and inflicting their own life disasters on him. He's fine at attracting women, but can't sustain a serious relationship for long. By the end of the book, he's repeatedly playing daddy to other people's babies and recalling the days when the life of an artist and culture-vulture seemed a lot easier. Dupuy and Berberian play Jean's not-quite-midlife crises as whimsy, though, with occasional goofy fantasy sequences in which he imagines himself guarding the castle of his bachelorhood. The book's artwork is breezy, simple and very European (everyone's got gigantic, near-abstract noses, and the landscapes of Paris and Lisbon are lovingly caricatured); its smooth playfulness helps to alleviate the sting of its well-aimed darts toward the moments when the bohemian life begins to curdle. (June) Copyright 2006 Reed Business Information.