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G. F. Watts: The Last Great Victorian »

Book cover image of G. F. Watts: The Last Great Victorian by Veronica Franklin Gould

Authors: Veronica Franklin Gould
ISBN-13: 9780300105773, ISBN-10: 0300105770
Format: Hardcover
Publisher: Paul Mellon Centre for Studies in British Art
Date Published: August 2004
Edition: (Non-applicable)

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Author Biography: Veronica Franklin Gould

Veronica Franklin Gould is curator of the exhibition The Vision of G.F. Watts, to be held at The Watts Gallery, Surrey. She is editing Watts’s letters and writing a biography of his wife, Mary Seton Watts.

Book Synopsis

George Frederic Watts (1817–1904) was a titanic figure in nineteenth-century British art. The father of British Symbolism and portrait painter of his age, he forged a controversial career that spanned the reign of Queen Victoria. This book, the first in-depth biography of Watts, sheds new light on the pioneering spirit and breadth of mind of the artist.
Drawing on Watts’s abundant personal correspondence and diaries and an array of other contemporary documents, the book chronicles the artist’s career and personal life, including his friendships with Edward Burne-Jones, Frederic Leighton, William Gladstone, and Alfred Tennyson and his relationships with a series of singular women. The book also examines Watts’s wide reforming zeal and political agenda as well as his role and dealings in the Victorian art world.

Library Journal

In this first comprehensive study of Victorian artist George Frederic Watts (1817- 1904), historian Gould reveals new details about his career as a respected portraitist. An advocate for social and educational reform, Watts painted many of the leading artists, writers, reformers, and statesmen of his time, including Alfred Lord Tennyson, Thomas Carlyle, William Gladstone, John Stuart Mill, Edward Burne-Jones, and William Morris. Since he was also an advocate of a national collection of paintings of important British personages, Watts's portraits later formed the collection of the National Portrait Gallery. Although sought after for his talent, Watts could not be categorized as part of an artistic movement like the Pre-Raphaelites. Instead, his mythological and allegorical works foreshadowed the style of British symbolism. Adding to the book's depth, much of Watt's personal correspondence and diaries are examined to chronicle his relationships with many leading Victorian artistic and intellectual figures. A very scholarly and thoroughly researched work, this book is recommended for all academic libraries supporting art history programs. [The year 2004 marked the centenary of Watts's death.-Ed.]-Sandra Rothenberg, Framingham State Coll. Lib., MA Copyright 2005 Reed Business Information.

Table of Contents

Foreword
1Ambitious young philhellene3
2Florence11
3A cage eagle21
4Crusade against bare walls27
5Breezy Bohemia42
6Choosing57
7Unbridled passion71
8Royal academician84
9'Calling off these studios'98
10Sweet briary114
11New Little Holland House128
12Polemicist144
13Genius exposed158
14Revelations166
15New York sensation180
16Hope193
17Apex of art207
18'The utmost for the highest'222
19Limnerslease237
20Sic transit255
21Dual forces273
22Handover to the nation295
23The colossus sits315
24'Our race as pioneers'327
25'How fast the days go!'340
App. IA projected scheme for frescoes representing the progress of the cosmos361
App. IIA poem by Watts preserved by Ellen Terry363
App. IIIAn outline by Watts for Cain as an epic, cantata or oratorio364

Subjects