Authors: Scott Miller, Lisa A. Barnett (Editor), Vicki Kasabian
ISBN-13: 9780435086992, ISBN-10: 0435086995
Format: Paperback
Publisher: Heinemann
Date Published: May 1996
Edition: (Non-applicable)
Scott Miller is the founder and artistic director of New Line Theatre, an alternative musical theatre company in St. Louis. He holds a degree in music and musical theatre from Harvard University, and he has been writing, performing in, and directing musicals since 1981. He has written four books on musical theatre for Heinemann, including Let the Sun Shine In (2003), Rebels with Applause (2001), Deconstructing Harold Hill (2000), and From Assassins to West Side Story (1996).
Musicals are the most popular form of theatre around. While straight plays struggle to survive on Broadway, musicals play to near capacity houses. They are also a favorite of school and community groups. In this smart and practical guide, New Line Theatre artistic director Scott Miller looks at twenty musicals from a director's point of view, with solid suggestions for anyone thinking of embarking on such a production. Includes discussions of Gypsy, Assassins, Into the Woods, My Fair Lady, and West Side Story, as well as many others.
Visit Scott's website at http://www.geocities.com/Broadway/3164/
The subtitle "director's guide" is somewhat misleading and could do this fine book a significant disservice. Although it will certainly assist directors in planning productions with greater depth and impact, it should also attract a much broader audience: actors, production staff, teachers, theater enthusiasts, and the like. Director, composer, and lyricist Miller offers a creative look at 16 musical icons, including Cabaret, Into the Woods, Les Miserables, Sweeny Todd, Gypsy, Carousel, and more. The result is not just a series of plot rehashes with production credits, though. Miller truly examines each show's contribution to the theatrical experience by providing character analyses, historical commentary, approaches to production, and thoughts on interpreting symbolism, themes, and musical textures. He aims at the heart of each work and reaches it with artistic insight. Those who participate in the theater at any level as well as those with an avid interest in the subject will discover some fresh ideas here. For circulating libraries with large collections in the performing arts.Carol J. Binkowski, Bloomfield, N.J.
Overture | 1 | |
1 | Assassins | 9 |
2 | Cabaret | 27 |
3 | Carousel | 42 |
4 | Company | 56 |
5 | Godspell | 74 |
6 | Gypsy | 84 |
7 | How to Succeed in Business Without Really Trying | 95 |
8 | Into the Woods | 109 |
9 | Jesus Christ Superstar | 123 |
10 | Man of La Mancha | 139 |
11 | Merrily We Roll Along | 150 |
12 | Les Miserables | 165 |
13 | My Fair Lady | 176 |
14 | Pippin | 189 |
15 | Sweeney Todd | 205 |
16 | West Side Story | 220 |
Exit Music | 239 |