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French Film: Text and Contexts » (2nd Edition)

Book cover image of French Film: Text and Contexts by Susan Hayward

Authors: Susan Hayward, Ginette (Eds.) Vincendeau, Ginette Vincendeau
ISBN-13: 9780415161183, ISBN-10: 0415161185
Format: Paperback
Publisher: Taylor & Francis, Inc.
Date Published: January 2000
Edition: 2nd Edition

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Author Biography: Susan Hayward

Book Synopsis

The second edition of this innovative textbook brings together leading scholars to provide detailed analyses of twenty-two key films within the canon of French cinema, from the 1920s to the 1990s. Films discussed include:
* masterpieces such as Renoir's La Bete Humaine and Carne's Les Enfants du Paradis
* popular classics such as Les Vacances de Monsieur Hulot and Ma Nuit chez Maud
* landmarks of the New Wave such as Les 400 Coups and A bout de souffle
* important films of the 1990s such as Nikita and La Haine
The films are considered in relation to such issues as the history of French cinema, the social and cultural contexts of their production and reception, the relationship with Hollywood cinema, gender politics, authorship and genre. Each article is accompanied with a guide to further reading and a filmography of the director, and the new edition also includes a fully revised introduction and a bibliography on French cinema.

Table of Contents

List of platesix
Notes on contributorsxi
Prefacexv
Acknowledgementsxvii
Introduction1
1In the name of the father: Marcel Pagnol's 'trilogy' Marius (1931), Fanny (1932), Cesar (1936)27
3The fleeing gaze: Jean Renoir's La Bete humaine (1938)42
4Poetic realism as psychoanalytical and ideological operation: Marcel Carne's Le Jour se leve (1939)63
5Beneath the despair, the show goes on: Marcel Carne's Les Enfants du paradis (1943-5)78
6The sacrament of writing: Robert Bresson's Le Journal d'un cure de campagne (1951)89
7A breath of sea air: Jacques Tati's Les Vacances de Monsieur Hulot (1952)100
8Casque d'or, casquettes, a cask of ageing wine: Jacques Becker's Casque d'or (1952)112
9No place for homosexuality: Marcel Carne's L'Air de Paris (1954)127
10The script of delinquency: Francois Truffaut's Les 400 coups (1959)142
11'It really makes you sick!': Jean-Luc Godard's A bout de souffle (1959)158
12The fall of the gods: Jean-Luc Godard's Le Mepris (1963)174
13Mise-en-scene degree zero: Jean-Pierre Melville's Le Samourai (1967)189
14Eye for irony: Eric Rohmer's Ma nuit chez Maud (1969)202
15Sex, politics and popular culture: Bertrand Blier's Les Valseuses (1973)213
16The anti-carnival of collaboration: Louis Malle's Lacombe Lucien (1974)227
17Maternal legacies: Diane Kurys' Coup de foudre (1983)240
18Representing the sexual impasse: Eric Rohmer's Les Nuits de la pleine lune (1984)253
19Beyond the gaze and into femme-filmecriture: Agnes Varda's Sans toit ni loi (1985)269
20Versions, verse and verve: Jean-Paul Rappeneau's Cyrano de Bergerac (1990)281
21Recycled woman and the postmodern aesthetic: Luc Besson's Nikita (1990)297
22Designs on the banlieue: Mathieu Kassovitz's La Haine (1995)310
Selected bibliography on French cinema328
Index337

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