Fidelity » (Unabridged)

THOMAS PERRY is the author of the Jane Whitefield series as well as the best-selling novels Nightlife, Death Benefits, and Pursuit, the first recipient of the Gumshoe Award for Best Novel. He won the Edgar Award for The Butcher's Boy, and Metzger's Dog was a New York Times Notable Book of the Year. He lives in Southern California.

Michael Kramer has had the pleasure of narrating the works of many wonderful authors. He has received Audiofile magazine's Earphones Award for the Kent Family series by John Jakes and for Alan Fulsom's The Day After Tomorrow. He also narrates books for the Library of Congress's Talking Books Program for the blind and physically handicapped. Kramer also works as an actor in the many theatres of the Washington, D.C. area, where he lives with Kate and their two children, Henry and Vivian.

When Phil Kramer is shot dead on a deserted suburban street in the middle of the night, his wife, Emily, is left with an emptied bank account and a lot of questions. How could Phil leave her penniless? What was he going to do with the money? And, most of all, who was he if he wasn't the man she thought she married?

Jerry Hobart has some questions of his own. It's none of his business why he was hired to kill Phil Kramer. But now that he’s been ordered to take out Kramer's widow, he figures there's a bigger secret at work - and maybe a bigger payoff.

As they race to find the secret Phil Kramer so masterfully hid, both Hobart and Emily must question where their true loyalties lie and how much they owe those who have been unfaithful to them. In Fidelity, Thomas Perry delivers another riveting thriller.

The New York Times - Janet Maslin

Fidelity…does what it needs to. It rivets attention, races fast and displays distinctive Perry hallmarks, especially in its standoffs. His characters are uncannily good at sizing one another up and anticipating what the next moves will be. Though he briefly equates Hobart's tactics to the ways a coyote slinks through a neighborhood, Mr. Perry need not even articulate this. It s always built into his storytelling, and it's already on the page.