Authors: Joanne Hollows
ISBN-13: 9780719043956, ISBN-10: 0719043956
Format: Paperback
Publisher: Manchester University Press
Date Published: April 2000
Edition: (Non-applicable)
Joanne Hollows is Senior Lecturer in Media and Cultural Studies at Nottingham Trent University.
Hollows (humanities, Nottingham Trent U., UK), basing her analysis on ideas grounded in the "second-wave" feminism that emerged in the 1960s and 70s, surveys the engagement of feminism with academic studies of popular culture and with the popular itself. She argues that there has been a shift from a situation in which feminists positioned themselves as outside of and against the popular to one in which feminists have considered not only how different popular forms and practices may privilege feminine practices that have traditionally been devalued, but also explored how feminism itself has entered the popular. Distributed by St. Martin's Press. Annotation c. Book News, Inc., Portland, OR
Acknowledgements | ||
Pt. I | Introduction | |
1 | Second-wave feminism and femininity | 2 |
2 | Feminism, cultural studies and popular culture | 19 |
Pt. II | Women's genres: texts and audiences | |
3 | Film studies and the woman's film | 38 |
4 | Reading romantic fiction | 68 |
5 | Soap operas and their audiences | 89 |
Pt. III | Consumption practices and cultural identities | |
6 | Consumption and material culture | 112 |
7 | Fashion and beauty practices | 137 |
8 | Youth cultures and popular music | 161 |
Pt. IV | Conclusions | |
9 | Feminism in popular culture | 190 |
References | 205 | |
Index | 221 |