Fatherland »

Robert Harris was born in Nottingham in 1957 and is a graduate of Cambridge University. He has been a reporter on the BBC's Newsnight and Panorama programmes, Political Editor of the Observer, and a columnist on The Sunday Times. He is the author of five non-fiction books in addition to his bestselling fiction, which includes Archangel, Enigma and Fatherland. He lives in Newbury, Berkshire.

Fatherland is set in an alternative world where Hitler has won the Second World War. It is April 1964 and one week before Hitler's 75th birthday. Xavier March, a detective of the Kriminalpolizei, is called out to investigate the discovery of a dead body in a lake near Berlin's most prestigious suburb.

As March discovers the identity of the body, he uncovers signs of a conspiracy that could go to the very top of the German Reich. And, with the Gestapo just one step behind, March, together with an American journalist, is caught up in a race to discover and reveal the truth — a truth that has already killed, a truth that could topple governments, a truth that will change history.

Publishers Weekly

An eerie, detailed alternate history serves as the backdrop for this otherwise conventional crime thriller. The setting is Berlin, 1964, some 20 years after the Third Reich's victory in WW II. Germany and the U.S., the world's two superpowers, find themselves in a cold war resulting from a nuclear stalemate; but U.S. President Joseph P. Kennedy is soon to visit Berlin for an historic summit meeting with Hitler, clearing the way for detente. Meanwhile, cynical police detective Xavier March investigates the drowning of Josef Buhler, former state secretary in the General Government. When the Gestapo takes over the case -- ruling it suicide -- March continues his investigation at the risk of his life, uncovering a deadly conspiracy at the highest levels of the Reich. With the help of American reporter Charlotte Maguire, he finds hard evidence of the wartime extermination of Europe's Jews, a secret that Buhler and his colleagues have been murdered to protect. Of course March and Maguire fall in love along the way. Harris (Selling Hitler) generates little suspense in this tale beyond his piecemeal rendering of the novel's unusual historical setting. The characters are flat and the plot largely predictable. And readers may well question the taste of using the Holocaust as the point of departure for a rather insubstantial, derivative thriller.