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Extras (Uglies Series #4) » (Reprint)

Book cover image of Extras (Uglies Series #4) by Scott Westerfeld

Authors: Scott Westerfeld, Rodrigo Corral
ISBN-13: 9781416971214, ISBN-10: 1416971211
Format: Paperback
Publisher: Simon & Schuster Children's Publishing
Date Published: April 2009
Edition: Reprint

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Author Biography: Scott Westerfeld

Scott Westerfeld's teen novels include the Uglies series, the Midnighters trilogy, The Last Days, an ALA Best Book for Young Adults and the sequel to Peeps. Scott was born in Texas, and alternates summers between Sydney, Australia, and New York City.

Book Synopsis

Fame

It's a few years after rebel Tally Youngblood took down the uglies/pretties/specials regime. Without those strict roles and rules, the world is in a complete cultural renaissance. "Tech-heads" flaunt their latest gadgets, "kickers" spread gossip and trends, and "surge monkeys" are hooked on extreme plastic surgery. And it's all monitored on a bazillion different cameras. The world is like a gigantic game of American Idol. Whoever is getting the most buzz gets the most votes. Popularity rules.

As if being fifteen doesn't suck enough, Aya Fuse's rank of 451,369 is so low, she's a total nobody. An extra. But Aya doesn't care; she just wants to lie low with her drone, Moggle. And maybe kick a good story for herself.

Then Aya meets a clique of girls who pull crazy tricks, yet are deeply secretive of it. Aya wants desperately to kick their story, to show everyone how intensely cool the Sly Girls are. But doing so would propel her out of extra-land and into the world of fame, celebrity...and extreme danger. A world she's not prepared for.

The New York Times - James Hynes

Extras is just as thrilling as its predecessors, but it's also a thoughtful novel of ideas, a brilliant parody of the modern obsession with fame. Like almost everyone else in her world, Aya records everything she does with the help of a semi-sentient hovercam (a sort of floating soccer ball that's a cross between R2D2 and Weegee), using the resulting footage to boost her face rank. It's as if the whole world were like Facebook, with every citizen simultaneously a celebrity and his or her own paparazzi. The situation is the opposite of the enforced egalitarianism of beauty in the earlier books; here, Westerfeld slyly shows what happens when you take the brakes off and let the market of media exposure determine individual worth. With its combination of high-stakes melodrama, cinematic action and thought-provoking insight into some really thorny questions of human nature, the new novel, like its predecessors, is a superb piece of popular art, reminiscent less of other young adult books than of another pop masterpiece, the revived "Battlestar Galactica."

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