Eugene O'Neill's America: Desire under Democracy »

John Patrick Diggins is Distinguished Professor in the PhD Program at the Graduate Center, City University of New York. He is the author of several books, including, most recently, Ronald Reagan: Fate, Freedom, and the Meaning of History.

In the face of seemingly relentless American optimism, Eugene O’Neill's plays reveal an America many would like to ignore, a place of seething resentments, aching desires, and family tragedy, where failure and disappointment are the norm and the American dream a chimera. Though derided by critics during his lifetime, his works resonated with audiences, won him the Nobel Prize and four Pulitzer, and continue to grip theatergoers today. Now noted historian John Patrick Diggins offers a masterly biography that both traces O’Neill’s tumultuous life and explains the forceful ideas that form the heart of his unflinching works.

Diggins paints a richly detailed portrait of the playwright’s life, from his Irish roots and his early years at sea to his relationships with his troubled mother and brother. Here we see O’Neill as a young Greenwich Village radical, a ravenous autodidact who attempted to understand the disjunction between the sunny public face of American life and the rage that he knew was simmering beneath. According to Diggins, O’Neill mined this disjunction like no other American writer. His characters burn with longing for an idealized future composed of equal parts material success and individual freedom, but repeatedly they fall back to earth, pulled by the tendrils of family and the insatiability of desire. Drawing on thinkers from Emerson to Nietzsche, O’Neill viewed this endlessly frustrated desire as the problematic core of American democracy, simultaneously driving and undermining American ideals of progress, success, and individual freedom.

Melding a penetrating assessment of O’Neill’s works and thoughtwith a sensitive re-creation of his life, Eugene O’Neill’s America offers a striking new view of America’s greatest playwright—and a new picture of American democracy itself.

Choice

"Shedding new light on the O'Neill canon, Diggins offers an einsightful examination of O'Neill's haunted past and the cultural background against which he wrote his plays. This is the first book this reviewer has encountered that fully explains how . . . 'O'Neill's writing traces a dark stain on American history.' "—Choice

Preface and Acknowledgments     xi
Introduction: Knowers Unknown to Ourselves     1
The Misery of the Misbegotten     11
The Playwright as Thinker     31
Anarchism: The Politics of the "Long Loneliness"     51
Beginnings of American History     79
"Lust for Possession"     95
Possessed and Self-dispossessed     111
"Is You a Nigger, Nigger?"     137
"The Merest Sham": Women and Marriage     157
Religion and the Death of Death     183
"The Greek Dream in Tragedy Is the Noblest Ever"     207
Waiting for Hickey     231
Conclusion: The Theater as Temple     257
Notes     267
Index     283