Authors: Neil Corcoran
ISBN-13: 9780198186908, ISBN-10: 0198186908
Format: Hardcover
Publisher: Oxford University Press, USA
Date Published: January 2005
Edition: (Non-applicable)
University of Liverpool
Elizabeth Bowen is a writer who is still too little appreciated. Neil Corcoran presents here a critical study of her novels, short stories, family history, and essays, and shows that her work both inherits from the Modernist movement and transforms its experimental traditions.
Elizabeth Bowen: The Enforced Return explores how she adapts Irish Protestant Gothic as a means of interpreting Irish experience during the Troubles of the 1920s and the Second World War, and also as a way of defining the defencelessness of those enduring the Blitz in wartime London. She employs versions of the Jamesian child as a way of offering a critique of the treatment of children in the European novel of adultery, and indeed, implicitly, of the Jamesian child itself. Corcoran relates the various kinds of return and reflex in her work-notably the presence of the supernatural, but also the sense of being haunted by reading-to both the Freudian concept of the "return of the repressed' and to T. S. Eliot's conception of the auditory imagination as a 'return to the origin."
Making greater interpretative use of extra-fictional materials than previous Bowen critics (notably her wartime reports from neutral Ireland to Churchill's government and the diaries of her wartime lover, the Canadian diplomat Charles Ritchie), Corcoran reveals how her fiction merges personal story with public history. Employing a wealth of original research, his radical new readings propose that Bowen is as important as Samuel Beckett to twentieth-century literary studiesa writer who returns us anew to the histories of both her time and ours.
The latest glimpse into Bowen's work is Neil Corcoran's insightful, slender Elizabeth Bowen: The Enforced Return. As the colon suggests, this is an academic study -- the word ''aporia'' will be used -- but Corcoran is also a fan, hooked since his teens, who speaks passionately of ''my own Elizabeth Bowen.'' A professor of English at the University of Liverpool, he is eloquent throughout on two of the strongest strains in Bowen's work: her hauntedness, and what he calls ''the gift or pain or dislocation of living between Ireland and England, of being bilocated.''
1 | The ghost in the house : Bowen's court (1942) and 'The back drawing-room' (1926) | 19 |
2 | Discovery of a lack : The last September (1928) | 39 |
3 | A ghost of style : A world of love (1955) | 61 |
4 | Mother and child : The house in Paris (1935) | 81 |
5 | Motherless child : The death of the heart (1938) | 102 |
6 | Childless mother : the disfigurations of Eva Trout or changing scenes (1968) | 126 |
7 | Words in the dark : The demon lover and other stories (1945) | 147 |
8 | War's stories : The heat of the day (1946) and its contexts | 168 |