Darkness: Two Decades of Modern Horror »

Ellen Datlow has edited more than 50 anthologies, including The Dark, The Del Rey Book of Science Fiction and Fantasy, Inferno, Little Deaths, Poe, Twists of the Tales, and The Year’s Best Fantasy and Horror. She coedited The Coyote Road, Salon Fantastique, and Troll’s Eye View and has won the Locus Award, the Hugo Award, the Stoker Award, the International Horror Guild Award, and the World Fantasy Award for her editing. She lives in New York City.

Compiling the finest in frightening tales, this unique anthology offers a diverse selection of horror culled from the last 25 years. Hand selected from cutting-edge authors, each work blends subtle psychology and mischievousness with disturbingly visceral imagery. In the classic “Chattery Teeth,” Stephen King provides a tautly drawn account of a traveling salesman who unwisely picks up yet another hitchhiker, while in Peter Straub’s eerie “The Juniper Tree,” a man whose nostalgia for the movies of his childhood leads to his stolen innocence. Renowned fantasy author George R. R. Martin weaves a sinister yarn about a young woman encountering a neighbor who is overly enamored with her in “The Pear-Shaped Man.” Combining acclaimed masters of the macabre, such as Clive Barker, Poppy Z. Brite, and Thomas Ligotti, with bold new talents to the genre, including Kelly Link, Neil Gaiman, and Stephen King’s son, Joe Hill, this distinctive collection of stories will delight and terrify.

Publishers Weekly

This diverse 25-story anthology is a superb sampling of some of the most significant short horror works published between 1985 and 2005. Editor extraordinaire Datlow (Poe) includes classic stories from horror icons Clive Barker, Peter Straub, and Stephen King as well as SF and fantasy luminaries Gene Wolfe, Dan Simmons, Neil Gaiman, and Lucius Shepard. The full diversity of horror is on display: George R.R. Martin's “The Pear-Shaped Man,” about a creepy downstairs neighbor, and Straub's “The Juniper Tree,” which chronicles a drifter's sexual molestation of a young boy, exemplify horror's sublime psychological power, while Barker's “Jacqueline Ess: Her Will and Testament” and Poppy Z. Brite's “Calcutta, Lord of Nerves” are audaciously gory masterworks. This is an anthology to be cherished and an invaluable reference for horror aficionados. (Apr.)