Dark to Mortal Eyes »

Eric Wilson is a former missionary kid whose imagination is fueled by new places and experiences and who loves to communicate this sense of adventure through fiction. He has published numerous articles and currently reviews books online.

What You Can’t See Can Hurt You.

Returning to the hometown of her birth parents, rebellious 23-year-old Josee Walker seeks answers to long-held questions about her childhood. Her biological father, wealthy vintner Marsh Addison, wants nothing to do with her. But a determined Kara Addison sets out to meet the child she gave up years before, despite Marsh’s passionate opposition.

Five Days of Hell for a Glimpse of Heaven

When Kara disappears and her car is discovered at the bottom of a ravine, however, Marsh becomes the prime suspect. Suddenly, Marsh and Josee are forced to unite in their search for Kara–and for the truth. But there’s more to their family’s past than meets the eye. What could the mysterious canister that Josee found in the woods contain? What does it have to do with her mother’s disappearance? When an ancient evil rouses, each member of the Addison family becomes enmeshed in a terrifying supernatural battle–one with global consequences.

Publishers Weekly

In this bizarre thriller for the Christian market, a jilted old woman with a hatred for men has a deadly secret that could wreak havoc upon the population of the Oregon coast. Framing his novel around chess strategy, Wilson introduces Josee Walker, once given up for adoption rather unbelievably by her wealthy parents, Kara and Marsh Addison. Now a cynical artist and poet in her 20s, she's come upon a canister that will make her a pawn in a horrendous scheme. The canister holds a poison for the body and the soul. "Hidden things are at work here," cautions Marsh's mother. "Elements that remain dark to our mortal eyes." Things get creepy, with blood and vaporous green mists like serpents showing up in unlikely places. To help defeat the forces of evil, Josee must rely on the fragments of a faith she's mostly left behind. Quirky twists delightfully catch the reader off-guard throughout the story, and Wilson nimbly sprinkles clues throughout. Strong verbs carry the text, but the slangy dialogue turns stale down the stretch. Occasionally, the writing veers off into the genuinely strange, and at more than 400 pages, some cutting would have helped the pacing. The ending disintegrates into prolonged mayhem, with some light gore and a predictable showdown with the bad guys. Still, Wilson's fresh voice holds promise, and CBA thriller aficionados should welcome this debut. (May) Copyright 2004 Reed Business Information.