Authors: Dennis Looney
ISBN-13: 9780814326008, ISBN-10: 0814326005
Format: Hardcover
Publisher: Wayne State University Press
Date Published: September 1996
Edition: (Non-applicable)
Compromising the Classics examines the evolution of narrative poetics in three of the canonical poems of the Italian Renaissance, the romance-epics of Boiardo, Ariosto, and Torquato Tasso. Combining cultural criticism with literary analysis, this volume focuses on how these poets renovated the popular genre of romance into a new kind of narrative through their imitation of classical epic, as well as through their imitation of pastoral, satire, history, and to a lesser extent, comedy and tragedy. Looney illustrates how the three great Renaissance poets from Ferrara are products of a cultural milieu which literary historians have typically ignored. Through these poets, who sought to incorporate details of classical literature into their idiom, Looney analyzes the impact of Renaissance humanism on popular culture. Specifically, the book tracks the way in which Ariosto's allusions to certain classical works shaped the patterning of his Orlando Furioso (1532), so that from one perspective it resembles a classical narrative, while from another, a medieval romance. Ariosto's intertextual allusions to classical sources often promoted a reevaluation of those models in terms of his own vernacular tradition and affected how his contemporary readers responded to classical literature. The same can be said of Tasso and Boiardo. Indeed, one of the most important contributions of Compromising the Classics is the introduction and illumination of Boiardo's work, about which critics have said virtually nothing. In contextualizing this unwarranted neglect, Looney notes both Ariosto's stunning literary success and Tasso's theoretical positions as primary contributors to the eclipse of Boiardo.
Looney (Italian, U. of Pittsburgh) examines the evolution of narrative poetics in three of the canonical poems of the Italian Renaissance, the romance-epics of Boiardo, Ariosto, and Torquato Tasso. He combines cultural criticism and literary analysis to examine how the poems transformed the popular genre of romance into a new kind of narrative by imitating classical epic. Annotation c. by Book News, Inc., Portland, Or.
Acknowledgments | 11 | |
Introduction: Sources of Compromise | 15 | |
Ch. 1 | Compromising Criticism | 31 |
"Renovate This Poet's Tomb!" | 31 | |
From Positivism to Intertexuality | 32 | |
A Disposition for Compromise in the Renaissance | 46 | |
Ch. 2 | Radical Neoclassicism in Orlando Innamorato | 55 |
At the Source: "Limpida e Larga Vena" or "Torbidi Torrenti"? | 55 | |
The Education of a Poet in Renaissance Ferrara | 59 | |
Herodotus: Accept This Greek | 65 | |
The Phantom of Vergil's Narrative | 77 | |
Ch. 3 | Narrative Choices in Orlando Furioso | 91 |
Ariosto's Narrative Opportunism | 91 | |
Interlaced Classics | 96 | |
Choosing Ovid | 109 | |
Ch. 4 | The Misshapen Beast: The Furioso's Serpentine Narrative | 123 |
Tasso: Dante: Ariosto | 123 | |
Similes of the Snake and Metaphors of Narrative Poiesis | 129 | |
Ariosto: Quel Grandissimo Poeta: Un Dracone | 139 | |
Ch. 5 | Tasso's Allegory of the Source in Gerusalemme Liberata | 142 |
Sources and the Drought | 142 | |
Poetic Allegories | 152 | |
Revising Humanistic Allegory in the Conquistata | 164 | |
Conclusion - Ivy: Column: Romance: Epic | 170 | |
Notes | 174 | |
Bibliography | 209 | |
Index | 239 |