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Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers » (1st Edition)

Book cover image of Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers by Blain Brown

Authors: Blain Brown
ISBN-13: 9780240805009, ISBN-10: 0240805003
Format: Paperback
Publisher: Elsevier Science
Date Published: October 2002
Edition: 1st Edition

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Author Biography: Blain Brown

Blain Brown was educated at C.W. Post College; M.I.T. and Harvard Graduate School of Design. He began in New York as a commercial still photographer before starting in the film business. After working as a gaffer, be became a cinematographer doing primarily commercials and music videos.After completing his first feature film, he moved to Los Angeles where he has been Director of Photography on 14 feature films as well as national commercials, promotional films, industrials, music videos and documentaries. He has worked in many states in the U.S. as well as Mexico, Canada, India, Italy, France, the Philippines and Jordan.His experience includes 35mm and 16mm projects, as well as 24P High Def, DigiBeta, BetaSP and DV. He has completed projects as a director, editor and screenwriter; with three screenplays produced. He has also taught courses in storytelling and visual communication. As a Director of Photography specializing in features and commercials, he is now based in Los Angeles.His books include A Sense of Place; Motion Picture and Video Lighting and The Filmmaker's Pocket Reference. His work can be seen at www.BlainBrown.com.

Book Synopsis

This thorough overview of techniques and technologies essential to shooting film, video, and digital, seeks to improve communication between director and cinematographer by filling in gaps in knowledge for both professions. Brown, a cinematographer based in Los Angeles, covers subjects including exposure, lighting, optics and lenses, filters, cinematic continuity, language of the lens, bleach bypass processes and special effects. Concepts and techniques are illustrated with diagrams and still shots from movies. Annotation c. Book News, Inc.,Portland, OR

Table of Contents

Introduction
Filmspace1
Visual language29
Lens language45
Camera dynamics61
Cinematic continuity79
Exposure103
Color theory127
The tools of lighting141
Lighting as storytelling157
Controlling color167
Optics177
Video and high def193
Image control219
Set operations241
Technical issues257
Professional formats283
Acknowledgments289
Bibliography290
Filmography292
Index293

Subjects