Authors: Angela Carter, Salman Rushdie
ISBN-13: 9780140255287, ISBN-10: 0140255281
Format: Paperback
Publisher: Penguin Group (USA)
Date Published: August 1997
Edition: Reprint
From early reflections on jazz and Japan, through vigorous refashionings of vampires and werewolves, to stunning snapshots of real-life outcasts and the glorious but tainted world of 'the rich and famous,' this complete collection of Angela Carter's short stories gathers together four published books"Fireworks," "The Bloody Chamber," "Black Venus," "American Ghosts" and "Old World Wonders"with her early work and uncollected stories. 'A strange, compelling book... an undoubted success.' The New York Times
Reading this collection is like wandering through the Angela Carter Museum. The tour begins with her early works from the 1960s and 1970s, which display the rough-edged elements that the British writer would later polish into masterpieces of short fiction. "A Very, Very Great Lady and Her Son at Home," in which a pompous mother gets her comeuppance, contains characters straight out of the Brothers Grimm (a father of 23 children lists their names on the brim of his hat) and an ending naughty enough to satisfy fans of Roald Dahl's adult tales. "A Victorian Fable," told in an invented vernacular, hints at the postmodern narrative play that made Carter the darling of associate English professors. Her aptly-titled first collection, "Fireworks" (1974), contains language so full of flash and dazzle -- "at all hours a crepuscular gloaming prevails" is one of her more subtle phrases -- that one cries out for a crisp edit by the ghost of minimalist Raymond Carver.
Once we step into what a curator might call Carter's mature period, however, everything comes together. With her rich language, delicious sense of irony, and playful feminist spirit, Carter created fairy tales for a postmodern age. In "The Bloody Chamber," she rewrote the Bluebeard legend and gave the old boy a taste of his own blood. In "The Werewolf," she brought a horrific twist to the tale of Little Red Riding Hood -- and did it in two pages flat. Her final three collections--"The Bloody Chamber and Other Stories" (1979), "Black Venus" (1985), and "American Ghosts and Old World Wonders" (1993) -- reveal one of our era's great writers at the height of her powers. While her contemporaries were turning out K-Mart realism in bare-bones language, Carter was a fictional maximalist who bathed in luxurious sentences and wrote about women raised by wolves.
In her final years Carter's best stories weren't quite stories at all, more like exquisite short histories. "The Fall River Axe Murders," for instance, details the life of Lizzy Borden down to the missing teeth on her comb and ends moments before the infamous murders. It's an amazing piece of writing -- all prelude, and yet completely satisfying. The only regrettable thing about Burning Your Boats is that Carter's death in 1992 means that this is the complete collection. No matter. I'll be reading it again. -- Salon
Introduction | ||
The Man Who Loved a Double Bass | 3 | |
A Very, Very Great Lady and Her Son at Home | 11 | |
A Victorian Fable (with Glossary) | 16 | |
A Souvenir of Japan | 27 | |
The Executioner's Beautiful Daughter | 35 | |
The Loves of Lady Purple | 41 | |
The Smile of Winter | 52 | |
Penetrating to the Heart of the Forest | 58 | |
Flesh and the Mirror | 68 | |
Master | 75 | |
Reflections | 81 | |
Elegy for a Freelance | 96 | |
The Bloody Chamber | 111 | |
The Courtship of Mr Lyon | 144 | |
The Tiger's Bride | 154 | |
Puss-in-Boots | 170 | |
The Erl-King | 186 | |
The Snow Child | 193 | |
The Lady of the House of Love | 195 | |
The Werewolf | 210 | |
The Company of Wolves | 212 | |
Wolf-Alice | 221 | |
Black Venus | 231 | |
The Kiss | 245 | |
Our Lady of the Massacre | 248 | |
The Cabinet of Edgar Allan Poe | 262 | |
Overture and Incidental Music for A Midsummer Night's Dream | 273 | |
Peter and the Wolf | 284 | |
The Kitchen Child | 292 | |
The Fall River Axe Murders | 300 | |
Lizzie's Tiger | 321 | |
John Ford's 'Tis Pity She's a Whore | 332 | |
Gun for the Devil | 349 | |
The Merchant of Shadows | 363 | |
The Ghost Ships | 376 | |
In Pantoland | 382 | |
Ashputtle or The Mother's Ghost | 390 | |
Alice in Prague or The Curious Room | 397 | |
Impressions: The Wrightsman Magdalene | 409 | |
The Scarlet House | 417 | |
The Snow Pavilion | 429 | |
The Quilt Maker | 444 | |
Appendix: Afterword to Fireworks | 459 | |
First Publications | 461 |