Brimstone (Special Agent Pendergast Series #5) » (Abridged)

Douglas Preston is the co-author with Lincoln Child of a bestselling thriller/adventure series. He also writes novels and nonfiction books of his own and is a frequent contributor to magazines like National Geographic, The New Yorker, Natural History, Smithsonian, Harper's, and Travel & Leisure.

Claw print scorched into the wall, the stench of sulfur in the air, has the Devil come to claim his due? BRIMSTONE Behind the gates of a fabulous Hampton estate, FBI Special Agent Pendergast discovers the carnage of a gruesome crime, a nightmare of seemingly supernatural origin. The smoldering remains of infamous art critic Jeremy Grove, a melted cross branding his chest, are found in a locked, barricaded attic. The hoofprint singed into the floorboards and the smell of brimstone recall the legendary horrors that befall those who make a pact with the Devil.

Publishers Weekly

Fans of cerebral action adventure novels know that, outside of Michael Crichton, no one delivers the goods like the veteran writing team of Preston and Child (Relic; Still Life with Crows; etc.). As if invigorated by their recent solo efforts (Child: Utopia, etc.; Preston: The Codex, etc.), the two now deliver their best novel ever, an extravagant tale of international intrigue. As their admirers know, one reason Preston and Child thrillers work is because most feature arguably the most charismatic detective in contemporary fiction: FBI Special Agent Aloysius Pendergast, a wealthy, refined yet ruthless descendant of Holmes who's very much his own character. Pendergast, as well as other Preston and Child semiregulars, notably rough-hewn former NYPD cop Vincent D'Agosta, Watson to Pendergast's Sherlock, tread nearly every page of this vastly imagined, relentlessly enjoyable thriller. The body of a notorious art critic is found in his Hamptons, L.I., mansion, wholly burned, with a cloven hoofprint nearby: the devil's work? Similar killings ensue among a group of maleficent bigwigs who, as college students, once gathered in Florence for a mysterious reason. Also at that gathering was the charming yet sinister Italian Count Fosco, a wonderful character whom the authors have borrowed, with due credit, from Wilkie Collins's The Woman in White. In time Agent Pendergast ties Fosco into the killings, as well as a plot to equip the Chinese with devastating weapons and a parallel plot to recover a legendary Stradivarius violin. Erudite, swiftly paced, brimming (occasionally overbrimming) with memorable personae and tense set pieces, this is the perfect thriller to stuff into a beach bag. (Aug. 2) Copyright 2004 Reed Business Information.