Brimstone Kiss (Delilah Street Series #2) »

Carole Nelson Douglas, author of more than fifty fantasy and science fiction, mystery, mainstream, and romance novels, was an award-winning reporter and editor for the St. Paul Pioneer Press. After writing some bestselling high fantasy novels and SF thrillers, she imported fantasy notions into her Midnight Louie mystery series, which features a hard-boiled Las Vegas PI who's a feline “Sam Spade with hairballs.” Her Irene Adler historical series made Carole the first author to use a woman from the Sherlock Holmes stories as a protagonist in the 1991 New York Times Notable Book of the Year, Good Night, Mr. Holmes. She's won or been short-listed for more than fifty writing awards in nonfiction, sf/fantasy, mystery, and romance genres, including several from the Romance Writers of America and Romantic Times BOOKreviews magazine, and the Cat Writers' Association. In 2008, RT BOOKreviews magazine named Carole a “pioneer of the publishing industry. Carole and husband Sam Douglas, a former art museum exhibitions director and kaleidoscope designer, are kept as pets by five stray cats and a dog in Fort Worth, Texas. She collects vintage clothing, and does a mean Marilyn Monroe impersonation, and, yes, she does dance, but not with werewolves. As far as she knows.

Delilah and her partner - tall, dark, handsome, and Hispanic ex-FBI guy Ric Montoya - are busy solving a "Romeo and Juliet" double-murder and she's got plenty more to deal with: vampires, werewolves, and tigers, oh my!

Publishers Weekly

Filled with kisses and kick-ass action, the second installment of this campy series (after 2007's Dances with Werewolves) finds paranormal investigator Delilah Street taking on her first case in an alternate 2010 Las Vegas. When Delilah and her boyfriend, ex-FBI agent Ric Montoya, find the bodies of two teens killed in Sunset Park in 1946, the girl's ghost appears and claims the killer was her father, werewolf mobster Cesar Cicereau. Vampire mogul Howard Hughes hires Delilah to learn the identity of the girl's vampire companion, and she also comes under pressure from albino vampire rocker Snow; television producer Hector Nightwine; and the Invisible Man, a zombie merged with Claude Rains's black-and-white film character. Douglas's dishy style compliments the twisty plot, and she helpfully includes references for the numerous nods to the silver screen, Egyptology and cocktails. (Dec.)

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