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Boomsday » (Bargain)

Book cover image of Boomsday by Christopher Buckley

Authors: Christopher Buckley, Janeane Garofalo
ISBN-13: 9781616813673, ISBN-10: 1616813679
Format: Compact Disc
Publisher: Hachette Audio
Date Published: May 2008
Edition: Bargain

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Author Biography: Christopher Buckley

Christopher Buckley, "the quintessential political novelist of his time" according to Fortune magazine, is the winner of the distinguished ninth annual Thurber Prize for American Humor, Tom Wolfe has described him as "one of the funniest writers in the English language."
Buckley is the author of eleven books, many of them national bestsellers, including Thank You For Smoking, God Is My Broker, No Way To Treat A First Lady, and Florence of Arabia. His books have been translated into over a dozen languages, including Russian and Korean.

Book Synopsis

BOOMSDAY'S heroine is Cassandra Devine, a charismatic 29-year-old blogger who incites massive political turmoil when, outraged over mounting Social Security debt, she politely suggests that Baby Boomers be given government incentives to kill themselves by age 75. Her modest proposal catches fire with millions of her outraged peers ("Generation Whatever") and an ambitious Senator seeking to gain the youth vote in his presidential campaign.
With the help of Washington's greatest spin doctor, the blogger and the politician try to ride the issue of euthanasia for Boomers (they call it "Transitioning") all the way to the White House, over the forceful objections of the Religious Right and, of course, Baby Boomers, who are deeply offended by demonstrations on the golf courses of their retirement resorts.

Read by Janeane Garofalo!

The Washington Post - Judy Budnitz

Buckley isn't singling out the younger generation. He's democratic in his derision: boomers, politicians, the media, the public relations business, the Christian right and the Catholic Church get equal treatment. Yet despite the abundance of targets and the considerable display of wit, the satire here is not angry enough—not Swiftian enough—to elicit shock or provoke reflection; it's simply funny. All the drama takes place in a bubble of elitism, open only to power players—software billionaires, politicians, lobbyists, religious leaders. The general population is kept discretely offstage. Even the two groups at the center of the debate are reduced to polling statistics. There are secondhand reports of them acting en masse: 20-somethings attacking retirement-community golf courses, boomers demanding tax deductions for Segways. But no individual faces emerge. Of course, broadness is a necessary aspect of satire, but here reductiveness drains any urgency from the proceedings. There's little sense that lives, or souls, are at stake.

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