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Blindspot: By a Gentleman in Exile and a Lady in Disguise » (Unabridged)

Book cover image of Blindspot: By a Gentleman in Exile and a Lady in Disguise by Jane Kamensky

Authors: Jane Kamensky, Jill Lepore
ISBN-13: 9781433257636, ISBN-10: 1433257637
Format: Compact Disc
Publisher: Blackstone Audio, Inc.
Date Published: December 2008
Edition: Unabridged

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Author Biography: Jane Kamensky

Jane Kamensky is a professor of American history and chair of the History Department at Brandeis University. She is the author of The Exchange Artist and Governing the Tongue, among other books. Her scholarship has been supported by grants from the National Endowment for the Humanities and the Andrew W. Mellon Foundation. She is currently writing a biography of the eighteenth-century American portrait painter Gilbert Stuart. She lives in Cambridge, Massachusetts, with her husband and two sons.

Jill Lepore is the David Woods Kemper ’41 Professor of American History at Harvard University, where she is the chair of the History and Literature Program. She is also a regular contributor to The New Yorker. Her books include The Name of War and A Is for American. Her most recent book, New York Burning, was a finalist for the Pulitzer Prize. She lives in Cambridge, Massachusetts, with her husband, three sons, and an extraordinarily large and formidable dog of entirely mysterious extraction.

Book Synopsis

Set in boisterous, rebellious Boston on the eve of the American Revolution, Blindspot ingeniously weaves together the fictional stories of Stewart Jameson, a Scottish portrait painter and notorious libertine, and Fanny Easton, a fallen woman from one of Boston’s most powerful families who disguises herself as a boy to become Jameson’s defiant and seductive apprentice. Together with an African-born doctor, they investigate the death of the famous revolutionary leader Samuel Bradstreet.

The Barnes & Noble Review

Blindspot is a love story and a murder mystery suspended between the picaresque journal entries of Stewart Jameson and the letters of Frances Easton, and couched in the exigent art of seeing, really seeing, things as they are. Or not. For our minds play tricks with how and what we see, and our perceptions are riddled with blind spots, some real, some metaphorical -- ignorance, say, or prejudice. Then there's love, a blind spot often big enough to drive a car through.

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