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Authors: William Drabkin, Julian Rushton
ISBN-13: 9780521378314, ISBN-10: 0521378311
Format: Paperback
Publisher: Cambridge University Press
Date Published: November 1991
Edition: New Edition
William Drabkin considers Beethoven's Missa Solemnis as a musical expression of the most celebrated text of the Roman Catholic faith - the mass.
List of tables | ||
Preface | ||
1 | Critical perspectives | 1 |
The Missa solemnis as religious experience | 1 | |
The Missa solemnis and music history | 3 | |
The Missa solemnis in the history of sacred music | 4 | |
Analytical studies | 6 | |
Source studies | 8 | |
2 | Composition, performance and publication history | 11 |
Background | 11 | |
The composition of the Mass | 14 | |
The marketing of the Mass: publication, performance | 17 | |
3 | Preliminaries to the analysis | 19 |
Beethoven and the Austrian mass tradition | 20 | |
Analytical method | 21 | |
Textual problems | 23 | |
The Mass in D as a "missa solemnis" | 26 | |
4 | Kyrie | 28 |
The first "Kyrie" (bars 1-85) | 29 | |
"Christe" (bars 86-128) | 33 | |
The second "Kyrie" (bars 129-223) | 33 | |
5 | Gloria | 37 |
Gloria in excelsis Deo | 41 | |
Qui tollis | 46 | |
Quoniam | 48 | |
The closing fugue | 49 | |
6 | Credo | 52 |
The first section (bars 1-123) | 55 | |
The central section (bars 125-87) | 57 | |
The third section and closing fugue (bars 188-472) | 61 | |
7 | Sanctus | 66 |
Early sketches for the movement | 66 | |
Sanctus--Pleni--Osanna | 73 | |
Praeludium and Benedictus | 76 | |
The second "Osanna" | 80 | |
8 | Agnus Dei | 83 |
The "Agnus" | 85 | |
The beginning of the "Dona" | 87 | |
The "War" interruptions and their consequences | 92 | |
The Coda | 94 | |
9 | Concluding thoughts | 96 |
Connections between the movements | 96 | |
Orchestration | 101 | |
The Missa solemnis as programmatic music | 106 | |
Notes | 109 | |
Bibliography | 113 | |
Index | 117 |