Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre »

Redefines the relationship between writing and performance in Shakespeare's theatre.

Preface
Introduction: Conjunctures and concepts
1. Performance and authority in Hamlet (1603)
2. A new agenda for authority
3. Pen and voice: versions of doubleness
4. Playing with a difference
5. Histories in Elizabethan performance
6. Hamlet and the purposes of playing
7. Space (in)dividable: Locus and Platea revisited
8. Shakespeare s endings: commodious thresholds
Afterword: thresholds forever after
Notes
Index.