Authors: Kevin P. Rodel, Erica Sanders-Foege (Editor), Melanie Powell (Illustrator), Jonathan Binzen
ISBN-13: 9781561583591, ISBN-10: 1561583596
Format: Hardcover
Publisher: Taunton Press, Incorporated
Date Published: September 2003
Edition: (Non-applicable)
Jonathan Binzen is a writer and photographer specializing in furniture and architecture. He's a former senior editor at Fine Woodworking magazine and has written for This Old House and American Craft.
From William Morris and the roots of the Arts & Crafts movement, through Gustav Stickley, the Prairie School, and including contemporary pieces, this book celebrates the classic furnitureand the master craftsmen who made it. 500 photos.
Books such as these make reviewing a true pleasure. The book by Cathers (Stickley Style), a lavish, comprehensive monograph on the life and, in particular, the work of an originator of the Arts & Crafts furniture design movement in the United States, is a fine, deep, and impressive exploration. Gustav Stickley had wide-ranging influence as a designer, particularly through the periodical The Craftsman. He worked with simple lines, virtually shorn of ornamentation, and the materials and craft of construction took center stage in his furniture and, later, architectural designs (most often conceived and implemented by others). Produced on heavy, glossy paper stock, with several hundred illustrations, both color and black-and-white photography, and line drawings, this work meticulously highlights Stickley's enormous contribution to design. The bibliography and index make this volume particularly useful. Arts & Crafts Furniture provides a broader context for the design movement of Stickley's time, helping readers understand fully the revolution he engendered. The volume shines in its careful delineation and exploration of the differences among designers and the different styles of the time, facilitated by textual discussions, drawings, and photographs. The definitions are clear, and examples bring many stylistic distinctions into sharper focus. Though distinctly different in focus, both volumes are celebrations of the art and work particularly well in tandem.-Alex Hartmann, INFOPHILE, Williamsport, PA Copyright 2003 Reed Business Information.
Introduction | 3 | |
1. | Furniture of the Arts and Crafts Movement | 4 |
Social Reform, Design Revolution | 6 | |
Hallmarks of the Arts and Crafts Style | 11 | |
How the Movement Spread | 15 | |
2. | William Morris: The Roots of Arts and Crafts | 18 |
Furnishing the Red House | 20 | |
Morris & Co.: A Guild Goes into Business | 22 | |
Gallery: The Art of Morris & Co | 26 | |
3. | Arts and Crafts in the Country: Gimson, the Barnsleys, and the Cotswolds Vernacular | 32 |
London Calling | 34 | |
To the Cotswold Countryside | 35 | |
The Cotswold Legacy | 40 | |
Gallery: Cotswolds Country | 42 | |
4. | English Architects and Designers | 46 |
A. H. Mackmurdo and the Awakening of Arts and Crafts | 48 | |
C. F. A. Voysey: Refined Simplicity | 49 | |
The Artful Interior: M. H. Baillie Scott | 51 | |
Liberty's and Heal & Son: Commercial Arts and Crafts in England | 52 | |
Gallery: England's Professional Caste | 56 | |
5. | Charles Rennie Mackintosh and the Glasgow Style | 62 |
Mackintosh: Style Innovator | 64 | |
Mackintosh Emerges | 65 | |
The Glasgow Style's Other Contributors | 69 | |
Mackintosh on the Wane | 71 | |
Gallery: The Glasgow Style | 72 | |
6. | Continental Europe | 82 |
Arts and Crafts in Austria | 84 | |
Ruskin and Morris in Deutschland | 87 | |
Ernst Ludwig's Legacy | 89 | |
Gallery: The Vienna Secession | 90 | |
7. | Gustav Stickley and His Brothers | 94 |
Origins of the Style | 96 | |
Essence of the Craftsman Style | 98 | |
Stickley's Impact | 101 | |
Which Is the Real Stickley Furniture? | 103 | |
Gallery: The Stickley Family | 108 | |
8. | Handmade in a Factory: Mass Production in Grand Rapids | 120 |
The Disappearing Artisan | 122 | |
Mission in the Midwest | 122 | |
Charles P. Limbert's European Influence | 126 | |
Joseph McHugh's Mission Furniture | 131 | |
Gallery: Factory Furniture | 134 | |
9. | The Prairie School | 142 |
Arts and Crafts in the Windy City | 144 | |
Louis Sullivan, Mentor to the Prairie School | 144 | |
Frank Lloyd Wright and the Organic Ideal | 145 | |
George Mann Niedecken, Interior Architect | 149 | |
Syncopated Ornament: George Washington Maher | 150 | |
Prairie Partners: Purcell and Elmslie | 152 | |
Gallery: Prairie Arts & Crafts | 154 | |
10. | Utopian Communities: American Furniture and Social Reform | 162 |
Byrdeliffe's Aristocratic Utopia | 164 | |
Elbert Hubbard and the Marketing of Utopia | 167 | |
Rose Valley's Suburban Gothic | 172 | |
Gallery: Utopian Furniture | 178 | |
11. | American Innovators | 186 |
Charles Rohlfs and the Decorated Plank | 188 | |
John Scott Bradstreet: Fine Furniture on the Frontier | 191 | |
Arts and Crafts Climax: The Interiors of Greene and Greene | 194 | |
Gallery: Innovators in the States | 200 | |
12. | The Revival of Arts and Crafts Furniture | 206 |
The Sudden Death of Arts and Crafts | 208 | |
The Aftermath in England | 208 | |
Danish Modern: Ruskin Revved Up | 211 | |
The Dean of American Designer-Makers | 212 | |
Gallery: Arts and Crafts Revival | 216 | |
Selected Bibliography | 226 | |
Resources | 227 | |
Credits | 229 | |
Index | 231 |