An Elegy for Easterly »

Petina Gappah is a Zimbabwean writer whose work has appeared in Prospect, A Public Space, Per Contra, and The Zimbabwe Times, and on the website of Granta. She holds law degrees from the University of Cambridge, the University of Graz, and the University of Zimbabwe, and works in Geneva as an international trade lawyer.

A woman in a township in Zimbabwe is surrounded by throngs of dusty children but longs for a baby of her own; an old man finds that his new job making coffins at No Matter Funeral Parlor brings unexpected riches; a politician’s widow stands quietly by at her husband’s funeral, watching his colleagues bury an empty casket. Petina Gappah’s characters may have ordinary hopes and dreams, but they are living in a world where a loaf of bread costs half a million dollars, where wives can’t trust even their husbands for fear of AIDS, and where people know exactly what will be printed in the one and only daily newspaper because the news is always, always good.

In her spirited debut collection, the Zimbabwean writer Petina Gappah brings us the resilience and inventiveness of the people who struggle to live under Robert Mugabe’s regime. She takes us across the city of Harare, from the townships beset by power cuts to the manicured lawns of privilege and corruption, where wealthy husbands keep their first wives in the “big houses” while their unofficial second wives wait in the “small houses,” hoping for a promotion.

Despite their circumstances, the characters in An Elegy for Easterly are more than victims—they are all too human, with as much capacity to inflict pain as to endure it. They struggle with the larger issues common to all people everywhere: failed promises, unfulfilled dreams, and the yearning for something to anchor them to life.

Publishers Weekly

In her accomplished debut, Gappah, a Zimbabwean writer and international trade lawyer, casts her compassionate eye on a diverse array of characters living, grieving, loving-and fighting to survive-under Robert Mugabe's regime. "In the Heart of the Golden Triangle," the second-person narrative of a wealthy woman's tormented marriage, turns a mirror upon the reader: "You worry because you have not found condoms in his pockets," the narrator muses of her husband's behavior, "but in the cushioned comfort of your four-by-four, you don't feel a thing." Meanwhile, in "The Cracked, Pink Lips of Rosie's Bridegroom," a village ponders a doomed marriage in which the groom, who has a history of "buried... girlfriends," is clearly marked as being afflicted by "the big disease with the little name." In "The Mupandawana Dancing Champion," Gappah sets her sights on political absurdities with a cutting story about a coffin maker with some great dance moves and an unfortunate nickname. Gappah's deep well of empathy and saber-sharp command of satire give her collection a surplus of heart and verve. (June)

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