American Chinatown: A People's History of Five Neighborhoods »

Bonnie Tsui is a frequent contributor to The New York Times. A former editor at Travel + Leisure, she has written for National Geographic Adventure, Salon, and Condé Nast Traveller. She is the editor of A Leaky Tent Is a Piece of Paradise, a collection of essays on the outdoors, and is a recipient of the Radcliffe Traveling Fellowship, the Lowell Thomas Award for Travel Journalism, and the Jane Rainie Opel Award. She lives in San Francisco, and can be reached at www.bonnietsui.com.

CHINATOWN, U.S.A.: a state of mind, a world within a world, a neighborhood that exists in more cities than you might imagine. Every day, Americans find "something different" in Chinatown's narrow lanes and overflowing markets, tasting exotic delicacies from a world apart or bartering for a trinket on the street -- all without ever leaving the country. It's a place that's foreign yet familiar, by now quite well known on the Western cultural radar, but splitting the difference still gives many visitors to Chinatown the sense, above all, that things are not what they seem -- something everyone in popular culture, from Charlie Chan to Jack Nicholson, has been telling us for decades. And it's true that few visitors realize just how much goes on beneath the surface of this vibrant microcosm, a place with its own deeply felt history and stories of national cultural significance.

But Chinatown is not a place that needs solving; it's a place that needs a more specific telling. In American Chinatown, acclaimed travel writer Bonnie Tsui takes an affectionate and attentive look at the neighborhood that has bewitched her since childhood, when she eagerly awaited her grandfather's return from the fortune-cookie factory. Tsui visits the country's four most famous Chinatowns -- San Francisco (the oldest), New York (the biggest), Los Angeles (the film icon), Honolulu (the crossroads) -- and makes her final, fascinating stop in Las Vegas (the newest; this Chinatown began as a mall); in her explorations, she focuses on the remarkable experiences of ordinary people, everyone from first-to fifth-generation Chinese Americans. American Chinatown breaks down the enigma of Chinatown by offering narrative glimpses: intriguing characters who reveal the realities and the unexpected details of Chinatown life that American audiences haven't heard. There are beauty queens, celebrity chefs, immigrant garment workers; there are high school kids who are changing inner-city life in San Francisco, Chinese extras who played key roles in 1940s Hollywood, new arrivals who go straight to dealer school in Las Vegas hoping to find their fortunes in their own vision of "gold mountain." Tsui's investigations run everywhere, from mom-and-pop fortune-cookie factories to the mall, leaving no stone unturned.

By interweaving her personal impressions with the experiences of those living in these unique communities, Tsui beautifully captures their vivid stories, giving readers a deeper look into what "Chinatown" means to its inhabitants, what each community takes on from its American home, and what their experience means to America at large. For anyone who has ever wandered through Chinatown and wondered what it was all about, and for Americans wanting to understand the changing face of their own country, American Chinatown is an all-access pass.

Publishers Weekly

Tsui (She Went to the Field) offers a meandering "personal geography" of the Chinatowns in San Francisco, Los Angeles, New York, Honolulu and Las Vegas. Straining to be a travelogue, sociological snapshot and history of Tsui's own family's immigrant experience, the account is repetitious and perfunctory. The author doesn't spend sufficient time on her subjects-including an Asian studies professor born in San Francisco's Chinatown, or the ethnic Chinese artist originally from Vietnam who made his way to Honolulu's Chinatown via Indonesia-to clinch the reader's interest or to compose a compelling narrative of the neighborhoods. She maintains that she never feels more at home than when visiting an American Chinatown, but her limited insights may lead readers to feel like the tourists she disparages, the ones who visit Chinatown for an afternoon but fail to look beyond its faded facades and kitschy gift shops. Her treatment strikes its most superficial chord when she reaches the banal conclusion that American Chinatowns represent "heartland Asian America." (Aug.)

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